Blackwood's Edinburgh Magazine, Vol. 68, No 420, October 1850Various
History
Blackwood's Edinburgh Magazine, Vol. 68, No 420, October 1850
Various
England -- Periodicals; Scotland -- Periodicals
Has Nature feared, therefore, to use it? She builds the world with
it. And look how she proceeds. To these two--the Lovers as they are
called--the Universe is _in_ these two--to each in the other. The
rest of the Universe is shut out from their view, or more wonderfully
comprehended in their view--seen to each through and relatively to the
other--seen transformed in the magical mirror of their love. Can you
expect anything less than that they should go by different doors, or by
the same door, into Bedlam? Lo! they have become a Father and a Mother!
They have returned into the real world--into a world yet dearer than
Dreamland! The world in which their children shall grow up into men
and women. Sedate, vigilant, circumspect, sedulous, industrious, wise,
just--Pater-familias and Mater-familias. So Nature lets down from an
Unreal which she has chosen, and knows how to use.
NORTH.
The ground of the Poet, my dear Talboys, is an extraordinary dotation
of sensibility--of course, ten thousand dangers. Life is exuberant
in him--and if the world lies at all wide about him, the joy of
the great and the beautiful. The dearest of all interests to every
rational soul is her own coming destiny. The Poet, quick and keen
above all men in self-reference, must, among his contemplations and
creations, be full of contemplating and creating his own future, and
must pour over it all his power of joy, rosy and golden hopes. And
that vision, framed with all his power of the Ideal, must needs be
something exceedingly different from that which this bare, and blank,
and hard earth of reality has to bestow. What follows? A severe, and
perhaps an unprepared trial. The self-protection demanded of him is a
morally-guarded heart and life. The protection provided for him is--his
Art. The visions--the Ideal--the Great and the Fair, which he cannot
incorporate in his own straitened existence--the ambitions, at large,
of his imagination he localises--colonises--imparadises--in his works.
He has two lives; the life of his daily steps upon the hard and bare,
or the green, and elastic, and sweet-smelling earth, and the life of
his books, papers, and poetical, studious reveries--art-intending,
intellectual ecstasies.
BULLER.
What say you, sir, to the charge of "overweening self-conceit and
indolence?"
NORTH.
What say you, my Buller?
BULLER.
Public-domain text, read in full here on John Shaqi.
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