That I do not quite understand the proposition. Is it, that _generally_ the "sanguine" temperament is apt to make these accompaniments for itself? Or that in the Poet the three elements are often found together? If the former, I see no truth in it. The sanguine temper should naturally inspire activity--and I do not quite know what is here an "overweening conceit." That a sanguine-minded man is apt to have great _self-reliance_ in any project he has in hand--a confidence in his own present views that is not a little refractory to good argument of cooler observers, I understand. But that sort of self-conceit which makes of a man an intellectual fop--gazing in the pocket looking-glass of self-conceit at his own perfections--vain self-contemplation and self-adulation--the sanguine temper is far more likely to carry a man out of himself, to occupy his time, his pleasure, and his passion in works, and withdraw them from himself. I suppose, therefore, that we must look to the Poet alone. I daresay that small poets have a great conceit of themselves. They have a talent that is flattered and admired far beyond its worth. They readily fancy themselves members of the Immortal Family. But a true Poet has a thousand sources of humility. Does he not reverence all greatness, moral and intellectual? Does he not reverence, above all, the mighty masters of song? He understands their greatness--he can measure distances--which your small Poet cannot. NORTH. Every soul conscious of power is in danger of estimating the power too highly; but I do not know why the Poet should be so more than another man. Then, what is "overweening?" Is it overvaluing himself relatively to other men? Is it over-measuring his power of achievement--whence disproportionate undertakings, that fail in their accomplishment? I can more easily suppose that all the Sons of Genius "overween" in this direction. They must needs shape enterprises of unattainable magnificence. But some one has said rightly that in attempting the Impossible we accomplish the Possible. But this is a higher and truer and more generous meaning, I fancy, than is intended by the choice of that slighting and scoffing dispraise of "overweening"--a word pointing to a social, or moral, defect that makes an exceedingly disagreeable companion, rather than to any sublime error in the calculations of genius. And I come back upon the small sinner in rhyme, who has been cockered by his friends and cuddled by himself into conceit, till he thinks the world not good enough for him--takes no trouble to satisfy Its reasonable expectations, and finds that It will take none to satisfy his unreasonable ones--_there_ is a source of "numberless misfortunes"--a seedy surtout, a faded vest, and very threadbare inexpressibles. TALBOYS.