Blackwood's Edinburgh Magazine, Vol. 68, No 422, December 1850Various
General
Blackwood's Edinburgh Magazine, Vol. 68, No 422, December 1850
Various
England -- Periodicals; Scotland -- Periodicals
As little is it intended to assert that vast influence may not be
acquired, and unbounded celebrity for the time obtained, not merely
without the cooperation of such varied and extensive qualities, but by
the aid, in many cases, of the very reverse. As temporary influence,
not lasting fame, is the immediate and chief end of oratory, its style
must be adapted to the prevailing cast of mind, and ruling interests
or passions, of the persons to whom it is addressed; and as it will
share in elevation of sentiment, if that is their characteristic, so
it will be deformed by vulgarity or selfishness when they are vulgar
and selfish. It is a common saying, that a speaker must descend to the
level of his audience, if he means to command their suffrages or enlist
their passions; and we have only to look around us to see how often, in
assemblies of an inferior, interested, or impassioned character, the
highest celebrity and most unbounded success are attained by persons
who not only have exhibited few of the qualities of a refined orator,
but who had studiously concealed those which they did possess, and
secretly despised in their hearts the arts to which their triumphs
had been owing.[4] But this is no more than is the case with all the
arts which aim at influencing, or charming mankind. The theatre,
the romance, poetry itself, share at times in the same degradation.
It would be as unjust to stigmatise oratory as the art of sophists
or declaimers, intended to seduce or deceive those who cannot see
through its artifices, as it would be to reproach the stage with the
vulgarity of the buffoon, or novels with the licentiousness of Aretin,
or poetry with the seductions of Ovid. We must not think lightly of an
art which has been ennobled by the efforts of Cicero and Burke in the
most refined assemblies, because it has also led to the triumphs of
O'Connell and Wilkes in the most ignorant.
To the highest triumphs of the art of oratory, that first of blessings,
CIVIL LIBERTY, is indispensable. More truly of it than of the liberty
of the press, it may be said, "It is our vital air: withdraw it, and
we perish." Regulated freedom is essential to its success. It is hard
to say whether it perishes most rapidly amidst the studied servility
of courtly rhetoric, or the coarse adulations of democratic flattery;
whether the atmosphere of Constantinople or that of New York is most
fatal to its existence. Genius, and that of the very highest kind, may
exist in despotic communities; but it is degraded by selfishness and
misdirected by servility.
Public-domain text, read in full here on John Shaqi.
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