Blackwood's Edinburgh Magazine, Vol. 68, No 422, December 1850Various
General
Blackwood's Edinburgh Magazine, Vol. 68, No 422, December 1850
Various
England -- Periodicals; Scotland -- Periodicals
These extempore bursts were interwoven with the framework of
the piece, and committed to paper next day, when the author corrected
his speech for permanent preservation. In the dexterous interweaving
consisted no small part of the skill of the orator. But the greater
part of every speech was, beyond all doubt, written and committed to
memory. The style everywhere proves this. It is as impossible for any
man, how bright soever his genius or copious his language, to speak
extempore in the condensed and emphatic style of the ancient orators,
as it would be to compose, as an Improvisatore, the verses of Pope or
Campbell.
This circumstance sounds strange in those times, and especially to an
Englishman, because it is well known that the grand requisite, the
one thing needful to a modern orator, is to speak extempore. Power
in reply is considered as the highest quality; and it is to it, _par
excellence_, that the much coveted phrase "effective" is applied. We
all know what would be the fate of a speaker in the House of Commons
who should commit his speeches to memory, and take lessons from
Macready or Kean in their delivery. Beyond all doubt, derision would
take the place of admiration; the laughs would be much more frequent
than the cheers. Yet this is precisely what Cicero and Demosthenes did;
it was thus that Pericles ruled the Athenian Democracy, and Æschines
all but overturned the giant strength of his immortal adversary. We
are not to imagine that these men, whose works have stood the test
of twenty centuries, were wrong in their system; it is not to be
supposed that every subsequent nation of the earth has misdirected its
admiration. It is more probable that some circumstances have occurred
to turn oratory, in modern times, aside from its highest flights, and
induced a style in public speaking which has now become habitual,
and will alone be tolerated, but which is inconsistent with the most
perfect style of oratory. Nor is it difficult, if we consider the
composition of modern senates, and the objects for which they are
assembled, to see what these circumstances are.
Public-domain text, read in full here on John Shaqi.
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