As freedom and popular institutions are indispensable to eloquence, it is in England and France, since the Revolution, that oratory of a high description can alone be looked for. But the Anglo-Saxons are essentially a _practical_ race; and the stamp in this respect which nature has affixed to their character, appears, in every age, not less in their deeds than their accomplishments. Imagination has shone forth most brilliantly in many individuals of the race--but, generally speaking, we are not an imaginative people. The Fine Arts have never struck their roots in the open air amongst us; they are the delicate plants of southern realms, which require the shelter and warmth of our conservatories. It is in the highly educated classes alone that a taste for them is general. The romantic, not the classical drama, alone has ever been popular with the mass of our people; the attractions and fashion of the opera are required to make even the beauties of Metastasio tolerable to the very highest ranks. In matters of business, the same disposition is apparent. What is required, what commands success, is neither the flowers of oratory nor brilliancy of imagination nor elegance of diction, but argument to the point. It is thus that the suffrages of jurymen are to be obtained; it is thus that a majority in the House of Commons is to be secured. As the assemblies to whom modern oratory is addressed are much less numerous than those of antiquity--as they are representatives, not citizens; juries, not Areopagites--a different style of speaking has become established from that which was universally felt to be essential in the assemblies of antiquity. When the crowds of a theatre were no longer to be addressed, the theatrical style of oratory fell into disuse.