Blackwood's Edinburgh Magazine, Vol. 71, No. 438, April 1852Various
History
Blackwood's Edinburgh Magazine, Vol. 71, No. 438, April 1852
Various
England -- Periodicals; Scotland -- Periodicals
The cross benches are nearly filled. The Bishops' benches are occupied
by only four or five Prelates, the Archbishop of Canterbury and the
Bishop of London being of the number. Confronting the long line of the
Opposition, sit many of the new Ministry and their friends, a goodly
phalanx, generally wearing the appearance of excitement and resolution.
At the corner of the second back bench is to be seen the striking figure
of Lord Lyndhurst: with folded arms, his commanding countenance, now
exhibiting too many of the traces of age, shows that he is at this
moment in profound thought. He seems disinclined to speak to anybody. We
miss one great familiar figure, the white-haired Duke of Wellington; for
he is gone to Strathfieldsaye, giving, this evening, his customary
banquet to the Judges of Assize. The whole House is in a subdued buzz of
conversation. A slight commotion at the further end attracts all
eyes--and--enter the Earl of Derby, accompanied by a friend. He is
dressed in a plain black surtout, with crape round his hat; and walks
quietly to the place left vacant for him, on the front bench, and for
the last five or six years occupied by the Marquis of Lansdowne, who now
regards him with an expression of by no means eager hostility. On one
side of the new Prime Minister sits the Duke of Northumberland, on the
other are the Earls of Eglinton and Malmesbury. Lord Derby is in his
fifty-third year, but looks nearly ten years younger. He is tall and
well-proportioned; and his countenance displays dignity, frankness, and
determination. Its distinguishing feature is the bright and piercing eye
now glancing resolutely at the lowering array of the Opposition. On the
table before him stand a decanter of water and a glass. As far as we can
see, he has not brought with him a single note. He whispers for a moment
to the Earl of Malmesbury, then rises, steps to the table, removes his
hat, folds his arms, and a loud cry of "Hear! hear! hear!" issues from
every quarter of the House, instantly hushed into deep silence--amidst
which is heard a clear ringing voice speaking with beautiful
distinctness of articulation, and very deliberately.
Public-domain text, read in full here on John Shaqi.
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