Blackwood's Edinburgh Magazine, Vol. 71, No. 438, April 1852Various
History
Blackwood's Edinburgh Magazine, Vol. 71, No. 438, April 1852
Various
England -- Periodicals; Scotland -- Periodicals
Several of the other characters
were executed in a very remarkable manner; and by the word "executed"
here, we mean that they were fairly put to death. Some men have blank
impassive features--mouths and eyes that have no expression at all; but
compensate for it by the possession of legs of the most marked
individuality, which there is no possibility of mistaking for anybody
else's legs; regular, round, unfeatured sausages, which entirely
destroy the assumption of any part by the unfortunate being who is
perched upon them; but in this unchanging, stiff, unimaginative
stolidity always reduce the Italian prince or Roman senator, or Grecian
hero, to be nothing more nor less than plain Jack Vickers, or whatever
his name may be, with his unimpulsive, unintellectual pins. A sad
misfortune this; and the misery is aggravated by the apparent obtuseness
of the owner of them, to the obvious bar they interpose between him and
success in his profession. Can't those miserable individuals stuff the
sawdust into different shapes, so as not to torment us for ever with
Jack Vickers's legs? Come, let us off to the Adelaide gallery, and take
a look at the Marionettes.
A pretty place this. A long narrow room, with a slight elevation from
the stage, filled with comfortable seats, and closed in at the upper end
with a few private boxes. A snug warm habitable apartment; and the stage
so small, so low, so narrow, that any of the magnates of Baker Street
could find room for it at the end of their drawing-rooms. It doesn't
seem more than about nine feet wide, and the proscenium not more than
eight feet high. But the proportions throughout are excellently kept;
and when the manager walks in, drest in the first style of fashion, and
makes a bow to the audience, it is difficult to believe he is about a
foot and a half in height; and not very easy to remember that he is
merely a stuffed doll. There are some peculiarities, to be sure, about
him, which lead you to perceive that he differs from other men. For
instance, he comes in rolling sideways, and planting his feet upon the
floor in a manner not usual among gentlemen of the present day; nor have
we observed that he is imitated by this generation in having his motions
steadied by a rope of considerable size attached to the top of his head.
But he begins: his attitudes are very good; he suits the action to the
word with unfailing correctness, and passes judgment on the different
actors, who display their skill before him, with a force and acumen
which we look for in vain in the _Edinburgh Review_. Signor Bari Tone is
a singer of extraordinary power, and has a perception of the humorous
yet unattained by Lablache. He expresses his sentiments on the
legitimate drama with an uncompromising truthfulness, which gains our
respect even when we differ from him in opinion; and, for our own parts,
we consider that his annotations and emendations of the Swan of Avon are
worthy of the earliest attention of Mr Charles Knight.
Public-domain text, read in full here on John Shaqi.
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