Blackwood's Edinburgh Magazine, Vol. 71, No. 438, April 1852Various
History
Blackwood's Edinburgh Magazine, Vol. 71, No. 438, April 1852
Various
England -- Periodicals; Scotland -- Periodicals
A tremendous
drama succeeds these introductory flourishes, and the actors exert
themselves to the utmost in the Bottle Imp. They enter, we are bound to
say, more into the spirit of the author than is usually the case at
larger theatres among larger performers. Here there is no underling
bending his listless eyes towards the pit in the midst of the very agony
of the action, nor any apathetic murderer standing utterly unconcerned
when on the eve of executing the fatal deed. Here all is in excellent
keeping. The dull dead eyes of the puppets are all turned to the proper
part of the stage; their stiff arms are raised in horror, or extended in
surprise, at the fitting moment; and, with the exception of four, or
perhaps five, of the principal actors in the real stage, we consider
that there is less appearance of sawdust and wool in the _dramatis
personæ_ at this theatre than at ---- or ----. Here, in this chosen
temple of originality and genius, there is nothing to tempt the
principal tragedian into tricks of voice or style: the wooden attitude
and timber tones are here natural property of the intelligent puppet; no
sudden contractions of the countenance convulse the features into an
ideal ugliness, such as Fuseli might have envied after his supper of raw
pork; no sudden exclamations distend these leather-covered bosoms, like
alarms of fire and battle, to subside as suddenly into low whispers or
inarticulate groans, like the last agonies of an expiring trombone. No,
charming, natural, and truly business-like Marionettes! if one thrill of
gratified ambition pervades your hearts at the perusal of these lines,
our purpose will have been fully obtained. We pronounce you in your
_tout-ensemble_ the most perfect corps of artistes in London; and though
we are bound to confess that your performance is tiresome after the
first ten minutes, that after the first display of your mechanism you
become positively a nuisance, from your imitating humanity so
abominably, justice compels us to pass the same judgment on the great
majority of your living brethren, larger than you--as merely mechanical,
and not a whit more intelligent.
Public-domain text, read in full here on John Shaqi.
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