For, after all, what is the use of our Commissionership if we do not speak the truth? We say, then, that in few theatres of London can a fair representation be presented to the public of any dramatic work whatever, which contains more than one principal part; there is scarcely one theatre, in short, where a _play_ can be acted. Let us not blame the unfortunate modern author, therefore, if he accommodates himself to circumstances, and produces a drama with one strongly developed character surrounded by nonentities. It is the sad necessity of his condition, entailed on him by the fact that there exists no power on any one stage of doing justice to more than one part. Mr Phelps, to whom every one interested in the British stage owes a deep debt of gratitude, may illuminate the suburban shades of Islington with flashes of power or pathos, with Hamlet or Othello--such as awakened the rapture or evoked the tears of the thousands of Drury Lane--but how is he supported? The Marionettes would be more natural, the Bateman monstrosities more richly endowed with the human voice divine! And the same holds good in almost every other theatre, unless that in some of them even the one redeeming actor is wanting. But are we less prepared to defend the stage for this? nay, are we less hopeful of its eventful restoration? By no means. The very darkness that has settled upon it at present, foretells the near approach of dawn. It will be found that the free trade in theatres, which was to fill our land with the highest works of art and noblest specimens of acting--which has scattered in a thousand small streams, too shallow to be fertilising, too slow to be sanitary, the majestic river which (contained within its just banks) was deep enough to bear the merchandise of Shakspeare and the war-galleys of the ancient dramatists--it will be found, we repeat, that Dramatic Free Trade has been a failure, and that we must go back to the grand old days of Protection, when native talent was supported by applauding millions in the companies of the larger houses; when the Keans and Kembles were not surrounded by shades and phantoms, but by the largest "thews of men;" when Young, Macready, Kemble, Elliston, Dowton, Liston, and Munden, trod the same boards; where Mrs Jordan's merry laugh had scarcely ceased to vibrate in our ears, till our eyes and hearts began to pay tribute to O'Neil.