“If it was altogether chance, it was a very fortunate accident, which placed in the midst of a society so worthy of commemoration a painter like George Jamiesone, the pupil of Rubens, the first, and, till Raeburn, the only great painter whom Scotland had produced. Though he was a native of Aberdeen, it is not likely that anything but the little court of the bishop could have induced such an artist to prosecute his art in a provincial town. An academic orator in 1630, while boasting of the crowd of distinguished men, natives and strangers, either produced by the University, or brought to Aberdeen by the bishop, was able to point to their pictures ornamenting the hall where his audience were assembled. Knowing by whom these portraits were painted, we cannot but regret that so few are preserved.”[27] Keeping, however, to the matter of academic impugnment, we shall now turn to an instance of its incidental occurrence in that University, which, from its late origin, was least imbued with the spirit of the Continental system. The visit of King James to his ancient kingdom in 1617, afforded the half-formed collegiate institution in Edinburgh an opportunity for a rhetorical display, which ended in substantial advantages. Tired with business at Holyrood, and in the enjoyment of full eating and drinking, and “driving our” at his quieter palace of Stirling, he bethought himself of a rhetorical pastime with the professors of the new University, wherein he could not fail to luxuriate in the scholastic quibbling with which his mind was so well crammed, and he was pretty certain of enjoying an ample banquet of success and applause. Hence, as Thomas Crawford the annalist of the institution informs us, “It pleased his majesty to appoint the maisters of the college to attend him at Sterling the 29th day of July, where, in the royal chapel, his majesty, with the flower of the nobility, and many of the most learned men of both nations, were present, a little before five of the clock, and continued with much chearfulness above three hours.” The display was calculated to be rather appalling to any man who had much diffidence or reserve in his disposition, and hence Charteris, the principal, “being naturally averse from public show, and professor of divinity,” transferred the duty of leading the discussion to Professor Adamson. The form adopted was the good old method of the impugnment of theses, so many being appointed to defend, and so many to impugn; “but they insisted only upon such purposes as were conceived would be most acceptable to the king’s majesty and the auditory.”