Blackwood's Edinburgh magazine, Vol. 76, No. 467, September 1854Various
History
Blackwood's Edinburgh magazine, Vol. 76, No. 467, September 1854
Various
England -- Periodicals; Scotland -- Periodicals
BLACKWOOD’S
EDINBURGH MAGAZINE.
NO. CCCCLXVII. SEPTEMBER, 1854. VOL. LXXVI.
CONTENTS.
THE HOLY LAND, 243
BELLEROPHON. A CLASSICAL BALLAD, 256
THE COMING FORTUNES OF OUR COLONIES IN THE PACIFIC, 268
SPECULATORS AMONG THE STARS, 288
MRS STOWE’S SUNNY MEMORIES, 301
THE CRYSTAL PALACE, 317
THE SECRET OF STOKE MANOR: A FAMILY HISTORY.—PART IV., 336
THE SPANISH REVOLUTION, 356
EDINBURGH:
WILLIAM BLACKWOOD & SONS, 45 GEORGE STREET,
AND 37 PATERNOSTER ROW, LONDON;
_To whom all communications (post paid) must be addressed_.
SOLD BY ALL THE BOOKSELLERS IN THE UNITED KINGDOM.
PRINTED BY WILLIAM BLACKWOOD AND SONS, EDINBURGH.
BLACKWOOD’S
EDINBURGH MAGAZINE.
NO. CCCCLXVII. SEPTEMBER, 1854. VOL. LXXVI.
THE HOLY LAND.[1]
Strong and many are the claims made upon us by our mother Earth; the
love of locality—the charm and attraction which some one homely
landscape possesses to us, surpassing all stranger beauties, is a
remarkable feature in the human heart. We who are not ethereal
creatures, but of a mixed and diverse nature—we who, when we look our
clearest towards the skies, must still have our standing-ground of earth
secure—it is strange what relations of personal love we enter into with
the scenes of this lower sphere. How we delight to build our
recollections upon some basis of reality—a place, a country, a local
habitation—how the events of life, as we look back upon them, have grown
into the well-remembered background of the places where they fell upon
us;—here is some sunny garden or summer lane, beatified and canonised
for ever with the flood of a great joy; and here are dim and silent
places, rooms always shadowed and dark to us, whatever they may be to
others, where distress or death came once, and since then dwells for
evermore. As little as we can deprive ourselves of the human frame, can
we divest our individual history of its graceful garment of place and
scene. Such a thing happened, we say; but memory is no bare chronicler
of facts and events, and as we say the words, the time starts up before
us, with all its silent witnesses;—leaves that were shed years ago,
trees cut down and gone, yet they live in our thoughts with the joy or
the sorrow of which they were silent attendants. We have caught and
appropriated these bits of still life—they are a part of our history,
and belong to us for ever.
Public-domain text, read in full here on John Shaqi.
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