will not be any more gulled by this huge Gulliver. He is the Great
Humbug and Deceiver, cajoling silly ones into a belief in the marvel of
his arithmetic; that all the commonest things of life must be done by
his mystical numbers, or will be done ill; that they must count and
think of how many joints, bones, muscles, and sinews they have in their
toes, before venturing their feet a single step.
What is become of civilisation all this while, Eusebius? This Census,
which was to tell so much, has not thrown light upon the question. Yet,
perhaps, after all, it is a more simple one than you or I thought it to
be. I go back to the placidity of the Chinese lady in the picture. I am
now gazing on her expressive trustfulness—upon a complexion that, if
there be many such, justifies the title of “Celestial Empire.” She, the
feminine representative of a nation, the prized pearl of the Romance of
the Porcelain Empire, the very “Gentilezza,” the embodied purity of a
people’s best thoughts, the endowed growth of a perfection above nature,
for so much worship as humanity may, for its improvement in
civilisation, be allowed to set up in the garden of imaginary virtues,
the very Goshen where grow plants and flowers, and sweet waters glide
unknown to working nature, and all courting the enchanting and enchanted
beauty.
“L’acqua la terra in suo favor s’inchina.” Not to be tedious with you in
this fancied passion, Eusebius, I come to the point I aim at. She is the
emblem of civilisation, and that is feminine influence. Its ideal has
beautified that porcelain world, as it will ever beautify every other
where it is felt and maintained.
Yes, Eusebius, civilisation, like common sense, aptly called mother-wit,
comes from the mother. He who, as child and boy, loved and reverenced
for all her purity, truth, and goodness, a mother, when he becomes man
will ever do his part in civilising the world. From the first romance of
mother’s love groweth every other romance; for romance is a noble and
delicate sentiment. To propagate this is to propagate civilisation. But
if any lack this reverence, from whatever cause, and would palm upon
society, as better than its romance, an idle knowledge, a low spirit of
calculation, an accumulation of mere facts and figures, trust him not
with the secrets of your breast; all his doings tend to selfishness and
rebarbarism. A mother to him is but as poor old Mrs Bounderby ignored.
For my own part, Eusebius, when I see such glib statistical calculators
boasting of their practical knowledge, I bethink me of the learned dog
in the show, who with perseverance has acquired the trick of putting his
paw upon letters and numbers, and of arithmetising required ages. Take
heed to your pocket on such occasions; for though you have paid your
admission-ticket, there remains the last acquirement, the last main
trick to be exhibited, the going round the company with the hat in his
mouth.
A RUSSIAN REMINISCENCE.
Public-domain text, read in full here on John Shaqi.
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