“My friend Count Cignale is a painter—he has a wonderful eye for colour and an exquisite taste. He was making me a visit the other day, and in strolling about the neighbourhood we were charmed with an old stone wall of as many colours as Joseph’s coat: tender greys, dashed with creamy yellows and golden greens and rich subdued reds, were mingled together in its plastered stonework; above towered a row of glowing oleanders covered with clusters of roseate blossoms. Nothing would do but that he must paint it, and so secure it at once for his portfolio; for who knows, said he, that the owner will not take it into his head to whitewash it next week, and ruin it? So he painted it, and a beautiful picture it made. Within a week the owner made a call on us. He had seen Cignale painting his wall with surprise, and deemed an apology necessary. ‘I am truly sorry,’ he said, ‘that the wall is left in such a condition. It ought to be painted all over with a uniform tint, and I will do it at once. I have long had this intention, and I will no longer omit to carry it into effect.’ “‘Let us beseech you,’ we both cried at once, ‘_caro conte mio_, to do no such thing, for you will ruin your wall. What! whitewash it over!—it is profanation, sacrilege, murder, and arson.’ “He opened his eyes. ‘Ah! I did not mean to whitewash it, but to wash it over with a pearl colour,’ he answered. “‘Whatever you do to it you will spoil it. Pray let it alone. It is beautiful now.’ “‘Is it, indeed?’ he cried. ‘Well, I hadn’t the least idea of that. But if you say so, I will let it alone.’ “And thus we saved a wall.” The preceding scrap reminds us of a passage from Alphonse Karr, one of the most quietly-humorous of living French writers, who relates, in one of his quaint, dreamy, desultory books, how a neighbour of his, who lived in a poor thatched cottage on the fringe of a wood, embowered in flowers, shaded by venerable trees, refreshed by the balmiest of breezes, and enlivened by the songs of countless birds, suddenly disappeared from the countryside. Karr, who had long admired the sylvan retreat, and almost envied its occupant, inquired his fate. He had become rich, he was told; a legacy had enabled him to go and live in the town. He could afford to rent two rooms with new furniture and a gaudy paper, and he looked out upon a dirty street, along which omnibuses continually rolled. “Poor rich man!” Karr pitying exclaims. He had whitewashed his wall.