Blackwood's Edinburgh Magazine, Vol. 93, No. 570, April, 1863Various
History
Blackwood's Edinburgh Magazine, Vol. 93, No. 570, April, 1863
Various
England -- Periodicals; Scotland -- Periodicals
the Colosseum with Bengal fires. A number of Germans, artists and
others, attempted it with torches on a dark winter night, but the means
were insufficient: the torches, although numerous, struggled in vain to
dispel the deep nocturnal gloom which seemed condensed in the giant
ruin. The attempt, however, gave the idea to the Americans, who quickly
found the money for something on a grander scale; and the Roman
pyrotechnists, who are first-rate in skill and experience, produced an
illumination with coloured fires which drew out to the Colosseum not
only the _forestieri_ but the Romans themselves, usually very careless
of the sights the foreigners most run after. Since then such
illuminations have become comparatively common, and have been witnessed
by most persons who have remained any time in Rome. The effect is very
striking, and should be seen once, just as one goes to see the statuary
at the Vatican by torchlight; but, for both, the preference will
generally be given to daylight, and also, as regards the Colosseum, to
moonlight. For the best description of its appearance when lighted in
this last-named manner, Mr Story refers us to a book entitled, ‘Rome and
its Rulers,’ by that impartial Irish M.P., Mr John Francis Maguire, who,
when in the Pope’s dominions, was so peculiarly fortunate as to find
there nothing which was not in the highest degree admirable and
praiseworthy. Truly a book “in which many things are scented with
rose-water,” as Mr Story remarks, and which may also justly be said to
abound in moonshine. Of this latter commodity, as collected in the
Colosseum, the eloquent Maguire thus discourses:—
“The moon was slowly pursuing her way up the blue sky, and gradually
rising, _foot by foot_, to the height of the unbroken wall of the
building, _now and then_ peeping in through arch or window....
Patiently we awaited the higher elevation and full splendour of the
chaste Dian, enjoying each new effect as she sported with the
venerable ruin, and imparted to its grim antiquity a youthful
flush—mocking but delightful illusion.”
Public-domain text, read in full here on John Shaqi.
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