Blackwood's Edinburgh magazine, Vol. 93, No. 571, May, 1863Various
History
Blackwood's Edinburgh magazine, Vol. 93, No. 571, May, 1863
Various
England -- Periodicals; Scotland -- Periodicals
I will—but oh the fright I feel!
She comes, and she will see me sure;
So here into the bush I’ll steal,
And I shall see her pass secure.
For pathetic simplicity, perhaps none of his love-poems stands higher
than Die Mähderin—the ‘Female Mower.’ There is a pathos in the very fact
of the delicate girl—delicate at least in feeling—being engaged in rude
masculine toil, a case but too common in many countries; then, again, in
her hopeless attachment to the son of the rich farmer; then in her
overtasking her strength in mowing the whole field without refreshment
or repose, because the avaricious and selfish old man has promised her
his son’s hand as the price; and again, in the killing deception at the
close. She dies a martyr to the combined effects of the labour and the
disappointment, and the old man has virtually murdered her to prevent
her marrying his son and for selfish gain. Another example of a deep and
simple pathos, produced by two pictures of the same place, is ‘The
Castle on the Sea;’ it is a dioramic change of effect produced by a
dialogue. First the castle stands superb in rising or setting sunlight,
towering to heaven and bowing to the deep; the king and queen walk on
the terrace in their royal insignia, and a beautiful princess walks with
them: the scene changes to a weird moonlight effect, where the castle
stands in ghostly grandeur; the king and queen are there on the terrace,
but without their robes or crowns; they are in mourning, and the
princess is no longer with them. This ballad has been effectively
translated by Longfellow. Though verging on the impossible in subject,
‘The Mournful Tournament’ is a grand tragic sketch. Seven knights came
to joust for the favour of the king’s daughter, but as they came in
through the castle gate they heard the knell of her funeral. They
persist in the tournament; for the one who loves her most truly, holds
that still, though dead, she is worthy to be fought for, the victor
gaining her wreath and ring. All fall in the fight but he, and he is
mortally wounded, but, as the prize of victory, is buried with his
lady-love.
Public-domain text, read in full here on John Shaqi.
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