Nature, in Daghestán, is most lovely in the month of May. Millions of
roses poured their blushes over the crags; their odour was streaming in
the air; the nightingale was not silent in the green twilight of the
wood, almond-trees, all silvered with their flowers, arose like the
cupolas of a pagoda, and resembled, with their lofty branches twined
with leaves, the minarets of some Mussulman mosque. Broad-breasted oaks,
like sturdy old warriors, rose here and there, while poplars and
chenart-trees, assembled in groups and surrounded by underwood, looked
like children ready to wander away to the mountains, to escape the
summer heats. Sportive flocks of sheep--their fleeces speckled with
rose-colour; buffaloes wallowing in the mud of the fountains, or for
hours together lazily butting each other with their horns; here and
there on the mountains noble steeds, which moved (their manes floating
on the breeze) with a haughty trot along the hills--such is the frame
that encloses the picture of every Mussulman village. On this Djoumá,
the neighbourhood of Bouináki was more than usually animated. The sun
poured his floods of gold on the dark walls of the flat-roofed sáklas,
clothing them with fantastic shadows, and adding beauty to their forms.
In the distance, crawling along the mountain, the creaking arbas[16]
flitted among the grave-stones of a little burial-ground ... past them,
before them, flew a horseman, raising the dust along the road ... the
mountain crest and the boundless sea gave grandeur to this picture, and
all nature breathed a glow of life.
[16] A kind of rude cart with two wheels.
Public-domain text, read in full here on John Shaqi.
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