"In the first place, there is almost invariably a fat greasy monk seated
in the middle, forming the centre of a sort of coil of human creatures. On
one of his knees is some robust rosy-cheeked nurse from Aversa or Nettuno;
on the other, a handsome peasant woman from Bauci or Procida. On either
side of him, between the wheels and the body of the vehicle, stand the
husbands of these two ladies. Standing on tiptoe behind the monk is the
driver, holding in his left hand the reins, and in his right the long whip
with which he keeps his horses at an equal rate of speed. Behind _him_ are
two or three lazzaroni, who get up and down, go away, and are succeeded by
others, without any body taking notice of them, or expecting them to pay
for their ride. On the shafts are seated two boys, picked up on the road
from Torre del Greco or Pouzzoles, probably supernumerary _ciceroni_ of
the antiquities of Herculaneum and Pompeii. Finally, suspended under the
carriage, in a sort of coarse rope network with large meshes, which swings
backwards and forwards at every movement of the vehicle, is a shapeless
and incomprehensible mass, which cries, laughs, sings, screams, shouts,
and bellows, all by turns and none for long together, and the nature of
which it is impossible to distinguish, dimly seen as it is through the
clouds of dust raised by the horses' feet. This mass consists of three or
four children, who belong to Heaven knows who, are going Heaven knows
where, live Heaven knows how, and are there Heaven knows wherefore.
"Now then, put down, one above the other, monk, women, husbands, driver,
lazzaroni, boys and children; add them up, include the infant in arms,
which has been forgotten, and the total will be fifteen.
"It sometimes happens that the _coricolo_ passes over a big stone, and
upsets, pitching out its occupants to a greater or less distance,
according to their respective gravity. But, on such occasions, nobody
thinks of himself; the attention of every one is immediately turned to the
monk. If he is hurt, the journey is over for the day; they carry him to
the nearest house; the horses are put into the stable, and he is put to
bed; the women nurse him, make much of him, cry and pray over him. If, on
the other hand, the monk is safe and sound, nobody has a right to complain;
he resumes his seat, the nurse and the peasant woman resume theirs, the
others climb up into their respective places--a crack of the long whip,
and a shout from the driver, and the _corricolo_ is off again full speed."
Public-domain text, read in full here on John Shaqi.
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