Blackwood's Edinburgh Magazine, Volume 56, Number 347, September, 1844Various
History
Blackwood's Edinburgh Magazine, Volume 56, Number 347, September, 1844
Various
England -- Periodicals; Scotland -- Periodicals
On the publication of the ordonnances, the members of the Chamber who
were in Paris met at each others' houses to discuss measures of
resistance. But it was not from the members of the Chamber that the
movement was to emanate. Those who had any position to compromise looked
on, for the most part, with anxiety and astonishment, waiting to see
what current the disturbed waters would finally take. "On the evening of
the 27th, a man, name unknown, appeared on the Quai d'Ecole, and
paraded the banks of the river with the tri-coloured flag, which had
been folded up and hidden away for fifteen years." The symbol was
adopted by the people. The revolution had commenced.
Then followed all those strange scenes of levity and blood, buffoonery
and heroism, which the history of Parisian revolutions has familiarized
to the imagination, but which, nevertheless, have an inexhaustible
interest. The people arm themselves wheresoever and howsoever they can.
One brings into the Place de la Bourse two large hampers, full of
muskets and accoutrements. They come from the Théâtre du Vaudeville,
where a piece had been played, a few days before, which required that a
number of actors should be armed. To command men thus equipped there
were extemporary generals, whose epaulets were obtained from the
wardrobe of the Opera Comique. The students of the Polytechnic were, as
usual, on the alert to practise whatever they had learned of military
science; the younger sort entering into the war with the same spirit
that other schoolboys partake of any minor mischief that is going
forward. A student of the Polytechnic is standing on the left bank of
the river; he has a musket, but no ammunition. A fellow-student, a lad
of fifteen, has a packet of cartridges, but no musket: "You shall share
them," said he, showing his treasure, "if you will lend me the gun to
shoot my half." A party of the royal guard were coming over the bridge.
He started with the gun _to have his shots_. He was swept off with
others by the fire of the military.
On one side comes a party led by a violin, women applauding. But the
women do more than applaud. They carry great paving-stones to the top of
the house, to be thence precipitated on the heads of the soldiers; they
tend the wounded, they bruise charcoal for gunpowder.
Public-domain text, read in full here on John Shaqi.
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