Blackwood's Edinburgh Magazine, Volume 57, No. 354, April 1845Various
General
Blackwood's Edinburgh Magazine, Volume 57, No. 354, April 1845
Various
England -- Periodicals; Scotland -- Periodicals
Dryden, in assigning the qualifications of a poetical Translator, seems to
speak with due caution--"He must have a genius to the art." How much,
then, of the powers are asked in him which go to making the original poet?
Not the great creative genius. In order effectively to translating the
Song of Achilles, he need not have been able to invent the character of
Achilles, or to delineate it, if he found it, as Homer might largely,
invented in tradition to his hands. But he must be the adequate critic of
the Song full and whole. He must feel the Achilles whom Homer has given
him, through chilling blood, and thrilling nerve, and almost through
shivering, shuddering bone. Neither need he be, inverse and word possibly,
the creator for thoughts of his own. That Homer is. He is not called upon
to be, in his own strength, an audacious, impetuous, majestic, and
magnanimous thinker. It is enough if he have the sensibility, the
simplicity, the sincerity, the sympathy, and the intellectual capacity, to
become all this, on the strength of another. But if he could not create
the thoughts, neither could he, upon his own behalf, create the verbal and
metrical expression of the thoughts; for in these last is the inspiration
that brings into the light of existence both words and music. Yet nothing
seems to hinder, but that if endowed for perfectly accepting and
appropriating the thoughts, he may then become in secondary place
inspired, and a creator for the "new utterance." In all our observation of
the various constitutions bestowed, in different men, upon the common
human mind, nothing appears to forbid that an exquisite and mastering
faculty of language, such as shall place the wealth of a mother-tongue at
command, and an exquisite ear and talent for melodious and significant
numbers, may be lodged in a spirit that is not gifted with original
invention. Much rather, the recognition of the compensating and separable
way in which faculties are dealt, would lead us to look from time to time,
for children of the Muse gifted for supereminent Translators. Do we not
see engravers, not themselves exalted and accomplished masters, who yet
absorb into their transcript the soul of the master? Dryden's phrase,
"_have a genius_," seems to express this qualified gifting--the
enthusiasm, and the narrower creative faculty excellently given, and kept
alive and active by cultivation and exercise.
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