The next step downwards in the scale of dress brings us to the basis,
foundation, and understanding of mankind--we mean boots and shoes; and
here, being approvers of both "men and women's concise recti," as old
Joe used to say, we must give a word of advice to both sexes; and ye who
groan under the torments of corns, ("bunions" is a nasty word, we always
think of onions when we hear it,) attend to our dictum. If any thing
imperatively demands that utility should be consulted before ornament in
its construction, it is the covering of the foot; whoever goes hunting
in a dancing-pump is a fool, and whoever dances in a shooting-shoe is a
clodhopper. There can be no doubt that the human mind speedily adopted
normal rules of design when first the idea of protecting the foot was
started in the world--and, on the whole, less absurdity has been
evidenced in the pedal integuments than in most other matters of dress.
The old tragic buskin, and the comic sock, the military sandal,
_caliga_, and boot, all did their duty excellently in ancient times: we
have not a word of reproach for them--and their successors in the middle
ages acquitted themselves of their duties in a tolerably satisfactory
manner, though not without some curious flights of fancy. Thus the cross
gartering of the Saxon buskin, boots, or gaiter, or whatever else it
might have been, looks to us truly absurd and uncomfortable, judging
from the caricatured figures of ancient MSS.; but the peaked and tied-up
points of the 14th century, when the toe was fastened to the knee,
strikes us as the _ne plus ultra_ of human folly. How Richard II.'s
courtiers must have gone slopping and spirting about in the mud that
befouled their streets as well as ours! What queer figures they must
have cut on horseback in a rainy day, with the water running off from
the pendulous tips of their shoes! Nevertheless, there was something
good in the arrangement of the upper part of the shoe or half-boot of
those times, and even of earlier days, as any one who reads the
_Art-Union_, or who knows the history of British costume, can tell. It
formed an appropriate termination to the tightly-dressed limb; and when
not too much pointed, prolonged the natural shape of the foot into a
gracefully-curving support. Shoes, in the present sense of the term,
were not then worn: every thing was limited to the elastic half-boots:
but for the huntsman or the horseman, not armed for the tented field, a
sort of brown leather boot coming up to the knee was in common use. This
had no falling tops, and was far removed from the ridiculous Spanish
boot of after days. It was a plain and useful servant to the cavalier,
and became him much better than the ponderous jack-boot of later times.
It is to the Spaniards that we are indebted, if "indebted" be a suitable
term, for the wide-topped falling boot of the sixteenth century; that
inconvenient, no-service thing--good for the stage-players, fancy-ball
Public-domain text, read in full here on John Shaqi.
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