men, and fellows like old Hudibras, who crammed a portable larder and
wardrobe into its unfathomable recesses; but for the rough-riding
horseman or the active hunter, a nuisance beyond all description. Boots
such as these may look admirably well in pictures; for when delineated
by a Vandyke, any thing would become graceful; but for actual practice,
they would serve only to catch the rain, and to gall the legs of the
wearer. Their descendant, the top-boot, has reformed itself wonderfully,
and nearly all the inconvenience has been got rid of. Still, the brown
colour of the top, which is no longer the inside of the boot turned
down, as it was once, is an anomaly, and the boot itself ought to be
merged in the plain single-coloured boot which is now much used on the
Continent, though in England patronized only by the Meltonians. For
positive use, the boot ought to come up fully to, or above, the knee, in
order to stand the wear and pressure of the saddle; but for ornament, it
may well be allowed to rise only partially up the leg, and to be, in
short, the beautiful Hessian or Hungarian boot--far the most graceful
covering ever put on the leg of a modern European. That such a truly
elegant boot, so gentlemanlike, so dressy, and yet so thoroughly
serviceable, should ever have gone out of fashion, is to us a
melancholy, though not a needed, proof of the sheer caprice by which
men's fancies are commonly swayed. We suspect, however, that if any
cause more ostensible than mere accident can be alleged for this change,
it is to be traced to some knock-knee'd or spindle-shanked fellow, who
was ashamed to show his mis-shapen legs, and therefore concealed them in
loose trousers. These boots, it is true, were not so well calculated for
campaigning as the smaller ones which still bear the great man's name;
and this may have had something to do with their disuse; nevertheless
the change is to be lamented aesthetically, for the perfect union of
utility and ornament was never so well exemplified as in the Hessian
boot.
Public-domain text, read in full here on John Shaqi.
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