With all due respect to the dancing world, or to the world of
dancing-masters, we beg leave to anathematize the light shoe or pump; it
is an ugly, inconvenient, unsuitable thing, fit for a man with a white
waistcoat, gold chain, knee-breeches, &c., but not for a gentleman. The
true aesthetical article is either the elastic half-boot of the middle
ages; fitting on to the pantaloon, or else the thin Wellington boot of
the present day under the trousers. We do not care to see your ribbed
and open-worked silk stockings; such display is not for the sterner sex;
even in his highest moments of ornament, a man should always bear about
him a trace of the useful. To illustrate what we mean--a man is not born
to be a dancing-master, nor a tavern-waiter; a gentleman, more
especially, is intended, from the moment he can run alone, to be ready
for feats of gallantry and hardihood. He should dress accordingly; and,
as a fundamental rule, the reason for which lies deeper than most people
think, a gentleman should always be so attired as that, if occasion
demands, he should be able to mount a horse on the instant and ride for
his life. Now, your modern exquisite in pumps, or your old beau of the
last century in high red-heeled shoes, could do nothing of the kind
without much previous preparation; and we take it to be a sign of their
degenerating manhood. Nine-tenths of the men who take pleasure in shoes
and pumps, are but tailors on horseback; and the old fox-hunter, or the
old dragoon, (good types both in their way of what a man should be,)
love their boots next to their bottle. A slipper and a dressing-gown are
excellent companions, agree well together, and never give their master a
moment's uneasiness; hence their value; similarly, a stout high-low and
a good leathern legging, buttoned well over the ankle beneath, and the
knee above, will carry a man through heather or gorse, on foot or on
horseback, and will prove "marvellous good wear;" they ought to be, as
indeed they commonly are, dear friends to "whoever loves his country."
Public-domain text, read in full here on John Shaqi.
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