The third person, who completed the group, was a young man scarcely
beyond the years of boyhood. His good-looking round face was bronzed and
ruddy with fresh colour, and his dark eyes and full mouth were
expressive of natural gaiety and vivacity. But he, too, sat leaning his
elbows upon his knees, and gazing intently, and with a look of anxiety,
upon the fair girl before him; until, as he saw the tear fall from her
eye, he turned impatiently upon his stool, and proceeded to polish, with
an animation which was not that of industry, the barrel of a gun which
lay between his knees.
The room which formed the groundwork to the picture composed of these
three personages, was dark and gloomy, as was generally the interior of
the houses of the time; a large wardrobe of black carved wood filled a
great space of one of the walls; presses and chests of the same dark and
heavy workmanship occupied considerable portions of the rest of the
room. The low casement window, left open to admit the air of a bright
May evening, looked out upon the course of the rapid Seine, and gave a
cheering relief to the dark scene. The hazy rays from the setting sun
streamed into the room; and from below rose up the sound of the rushing
waters, and the wheels of the mills, mixed with occasional cries of men
upon the river, and the more distant murmur of the city. The scene was
one of calmness; and yet the calmness of those within that room was not
the calmness of repose and peace.
It was the youth who first spoke.
"Jocelyne," he said in a low tone, approaching his stool nearer to that
of the fair girl, and then continuing to polish his gun-barrel without
looking her in the face--"if you knew how it grieves me to see you thus!
You sit and droop like a bird upon the wintry branch, when I would fain
see you lift your head and chirp, as in days gone by, now that summer
begins to gladden around us."
The maiden thus addressed looked at him with a languid smile, and then
faintly shook her head.
"How would you have me gay, Alayn," she said softly, "when our
grandmother continues thus?"
Alayn made a gesture of doubt, as if he would have said, that solicitude
for her grandmother was not the only cause of Jocelyne's sadness; but he
made no observation to that effect, and, nodding his head towards the
older woman, asked in a low tone--
"How is Dame Perrotte to-day? She did not answer my greeting on my
entrance; and during your reading from that forbidden book of Scripture,
she has uttered not a word."
Public-domain text, read in full here on John Shaqi.
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