Blackwood's Edinburgh Magazine, Volume 61, No. 377, March 1847Various
General
Blackwood's Edinburgh Magazine, Volume 61, No. 377, March 1847
Various
England -- Periodicals; Scotland -- Periodicals
should be realised, the children of the class of widows now under
consideration, might in this "County Juvenile Asylum," find a home, and
be saved from destruction.
The seventh class consists of women who have cohabited with men, and
have families. The individuals composing it generally resemble those of
the two classes last mentioned--_i.e._ they are industrious or idle,
intemperate or sober. Generally, this class requires relief more
urgently than the several classes of widows; because by their past
conduct they are shut out from any participation in many of the
charities. It is needless to say that strict investigation into their
circumstances and proceedings is necessary.
The eighth and ninth classes consist of single women. The eighth is
composed of women who have had two children, and are prostitutes; the
ninth of those who have only committed the first offence. The inquiries
of the officer, in the ordinary routine, would develop the facts. The
utility of this distinction is, that it would afford boards of guardians
an opportunity of dealing fairly with the latter class: the fact of the
distinction being noted in all the books would attract their attention
to the point. To confound these cases together, and to act with, equal
severity to all, is obviously unjust. In those unions where the
prohibitory order has been issued, all the individuals of both these
classes are relieved only in the house. In the case of their admission,
the cognisance of this distinction, not casually, not specially, because
a guardian may have had his attention drawn to a particular case, but as
a matter of routine, would necessarily lead to a good result. No board
of guardians, when their attention has been regularly and officially
directed to the facts of the case, could compel both classes to herd
together in one common room.
Public-domain text, read in full here on John Shaqi.
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