Blackwood's Edinburgh Magazine, Volume 61, No. 377, March 1847Various
General
Blackwood's Edinburgh Magazine, Volume 61, No. 377, March 1847
Various
England -- Periodicals; Scotland -- Periodicals
It happened the other day that an individual, in the regular exercise of
his duty, was engaged in making inquiries in one of these
neighbourhoods. The cooped-up dwellings were situated in the centre of a
mass of buildings, round which a carriage might roll in five minutes,
and yet nothing would appear to excite suspicions that within the area
of a few hundred yards, so much real distress, and so much deceit, vice,
and crime were in existence. The visitor has left the crowded
thoroughfare, and entered a narrow cutting which leads to the heart of
the mass of houses. In former days the street was the abode of the
wealthy. Many of these aristocratic dwellings are still standing. They
large and high. The rooms were once magnificent. Their great size is
still visible, notwithstanding the partitions which now divide them. The
elaborate, quaint, and, in some instances, beautiful style of ornament
on the ceilings, the massive mouldings, and richly carved
chimney-pieces, satisfy the observer that, in former days, they were the
abodes of wealth and luxury. They are now tottering with age: the other
day, the interior of one of them fell inwards. These houses may be
entered, one after another, without intrusion. To the uninitiated, the
rooms present the appearance of an unoccupied hospital. All the rooms on
the upper floors are entirely filled with beds. If they are entered at
the close of a cold winter evening, the aspect is cold and desolate. If
you pause on the landing, you may hear sounds of voices. The whole of
the occupants of these rooms are congregated at the bottom of the
building. You should not enter, for, at the sight of a stranger, they
would instantly reassume their several characters. If you look through a
chink in the partition, you will see an assemblage of men, women, and
children, in whose aspect and mien--if you can read the biography of a
human being by studying the lines on the countenance--you may read many
a tale and strange eventful history,--illustrating the adage that "truth
is stranger than fiction." If the hour be midnight, and the season
winter, the large hall will be lit up by a blazing fire. Around it are
grouped men and women of all ages. Some are dressed as sailors. In a
corner, some Malays are eating their mess alone. They pay their
threepence, and are not disturbed:--they are supposed, with truth, to be
unacquainted with the rules of English boxing, and to carry knives.
Their white dresses and turbans, their dark but bright and expressive
countenances, their jet-black hair, and strange language, give an air of
romance to the scene. There are widows with children, traveling tinkers,
and knife-grinders. All these are talking, laughing, shouting, singing,
and crying in discordant chorus. There is no lack of good cheer; and it
is but justice to add, that the less fortunate, providing they are "no
sneaks," are allowed a share. At the door, or busily employed among the
Public-domain text, read in full here on John Shaqi.
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