Blackwood's Edinburgh Magazine, Volume 62, No. 382, August 1847 — John Shaqi
Blackwood's Edinburgh Magazine, Volume 62, No. 382, August 1847Various
History
Blackwood's Edinburgh Magazine, Volume 62, No. 382, August 1847
Various
England -- Periodicals; Scotland -- Periodicals
The disquisition on the legend of Troy naturally leads the historian,
and will naturally suggest to our own readers, the mooted question of
the authorship of the Homeric poems. Some of them be happy to learn that
the opinion of Mr Grote is not of so sceptical a nature as they may
have been prepared to expect. The Wolfian hypothesis he by no means
adopts--namely, that before the time of Pisistratus, there was no such
thing in existence as an extended and entire epic, but that the two
great epics we now possess were then constructed by stringing together a
number of detached poems, the separate chants of the old Greek bards or
rhapsodists. Mr Grote sees in the _Odyssey_ all the marks of unity of
design, and of what he rather quaintly calls "single-headed authorship."
With regard to the _Iliad_, he admits that there is not the same
stringent evidence of an original plan according to which the whole poem
has been written, and he detects here the signs of interpolation and
addition. According to his view, there is in the poem, as we possess it,
an original whole, which he calls the Achilleis, to which additions have
been made from other sources, converting the Achilleis into an Iliad.
But our readers would prefer to have the words themselves of the author;
and the following passage will present them with a very intelligent view
of this famous controversy:--
"That the _Iliad_ is not so essentially one piece as the _Odyssey_,
every man agrees. It includes a much greater multiplicity of
events, and what is yet more important, a greater multiplicity of
prominent personages: the very indefinite title which it bears, as
contrasted with the speciality of the name _Odyssey_, marks the
difference at once. The parts stand out more conspicuously from the
whole, and admit more readily of being felt and appreciated in
detached recitation. We may also add, that it is of more unequal
execution than the _Odyssey-_-often rising to a far higher pitch of
grandeur, but also occasionally tamer: the story does not move on
continually; incidents occur without plausible motive, nor can we
shut our eyes to evidences of incoherence and contradiction.
Public-domain text, read in full here on John Shaqi.
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