Blackwood's Edinburgh Magazine, Volume 64, No. 393, July 1848Various
History
Blackwood's Edinburgh Magazine, Volume 64, No. 393, July 1848
Various
England -- Periodicals; Scotland -- Periodicals
Besides her merchants and upper class, who form a little
aristocracy even here, she has a large portion of her population
still connected with the Indian and fur trade, who preserve all
their characteristics unacted upon by the influence of advancing
civilisation, and between whom and other classes there is a marked
distinction. There is, moreover, a large floating population of
foreigners of all nations, who must possess no little amount of
enterprise to be tempted to this spot, from whence they spread
over the remote western tracts, still invested by the savage;
and, therefore, if any of their blood is infused into the native
population, the characteristic energy and enterprise is increased,
and not tempered down, by the foreign cross.
But perhaps the most singular of her casual population are the
mountaineers, who, after several seasons spent in trapping, and with
good store of dollars, arrive from the scene of their adventures,
wild as savages, determined to enjoy themselves, for a time, in all
the gaiety and dissipation of the western city. In one of the back
streets of the town is a tavern well known as the "Rocky Mountain
House," and here the trappers resort, drinking and fighting as long
as their money lasts, which, as they are generous and lavish as
Jack Tars, is for a few days only. Such scenes as are enacted in
the Rocky Mountain House, both tragical and comical, are beyond the
powers of pen to describe; and when a fandango is in progress, to
which congregate the coquettish belles from "Vide Poche," as the
French portion of a suburb is nicknamed,--the grotesque endeavours
of the bear-like mountaineers to sport a figure on the light
fantastic toe, and their insertions into the dance of the mystic
jumps of Terpsichorean Indians when engaged in the "medicine"
dances in honour of bear, of buffalo, or ravished scalp,--are such
startling innovations on the choreographic art as would cause the
shade of Gallini to quake and gibber in his pumps.
Passing the open doors and windows of the Mountain House, the
stranger stops short as the sounds of violin and banjo twang upon
his ears, accompanied by extraordinary noises--which sound unearthly
to the greenhorn listener, but which the initiated recognise as an
Indian song roared out of the stentorian lungs, of a mountaineer,
who, patting his stomach with open hands, to improve the necessary
shake, choruses the well-known Indian chant:--
Hi--Hi--Hi--Hi,
Hi-i--Hi-i--Hi-i--Hi-i
Hi-ya--hi-ya--hi-ya--hi-ya
Hi-ya--hi-ya--hi-ya--hi-ya
Hi-ya--hi-ya--hi--hi,
&c. &c. &c.
and polishing off the high notes with a whoop which makes the old
wooden houses shake again, as it rattles and echoes down the street.
Public-domain text, read in full here on John Shaqi.
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