Blackwood's Edinburgh Magazine, Volume 64, No. 397, November 1848Various
History
Blackwood's Edinburgh Magazine, Volume 64, No. 397, November 1848
Various
England -- Periodicals; Scotland -- Periodicals
Without challenging the claim of the individual indicated to
greatness, I am committing no libel when I designate him as the very
ugliest man in Europe. The broad arch of his face was fringed with
a red bush of furzy hair. His eyes were inflamed and pinky, like
those of a ferret labouring under opthalmia, and his nose, mouth,
and tusks, bore a palpable resemblance to the muzzle of the bulldog.
Altogether, it is impossible to conceive a more thoroughly forbidding
figure. This was Robert Blum, the well-known publisher of Leipzig,
who has put himself prominently forward from the very commencement of
the movement; and who, possessing a certain power of language which
may pass with the multitude for eloquence, and professing opinions
of extreme democratic tendency, has gained a popularity and power in
Frankfort, which is not regarded without uneasiness by the members
of the more moderate party. As this worthy was a bookseller, and
Klingemann still in possession of piles of unpublished manuscript,
I could understand and forgive the enthusiasm and veneration of the
latter.
Simon having concluded his inflammatory harangue, the tribune was
next occupied by a person of a different stamp. He was, I think,
without any exception, the finest-looking man in the Assembly--in
the prime of manhood, tall, handsome, and elegantly dressed, and
bearing, moreover, that unmistakeable air which belongs to the
polished gentleman alone. His manner of speaking was hasty, and
not such as might be approved of by the practised debater, but
extremely fluent and energetic; and it was evident that Simon and his
confederates writhed under the castigation which, half-seriously,
half-sarcastically, the bold orator unsparingly bestowed. Judging
from the occasional hisses, the speaker seemed no favourite either
with the members of the extreme left or with the galleries; but
probably he was used to such manifestations, for he went through
his work undauntedly. I asked his name. It was Felix, Prince of
Lichnowsky.
Public-domain text, read in full here on John Shaqi.
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