Blackwood's Edinburgh Magazine, Volume 64, No. 397, November 1848Various
History
Blackwood's Edinburgh Magazine, Volume 64, No. 397, November 1848
Various
England -- Periodicals; Scotland -- Periodicals
No sooner was it known that Los Americanos had arrived, than nearly
all the householders of Fernandez presented themselves to offer the
use of their "salas" for the fandango which invariably celebrated
their arrival. This was always a profitable event; for as the
mountaineers were generally pretty well "flush" of cash when on
their "spree," and as open-handed as an Indian could wish, the sale
of whisky, with which they regaled all comers, produced a handsome
return to the fortunate individual whose room was selected for the
fandango. On this occasion the sala of the Alcalde Don Cornelio Vegil
was selected and put in order; a general invitation was distributed;
and all the dusky beauties of Fernandez were soon engaged in arraying
themselves for the fête. Off came the coats of dirt and "alegnía"
which had bedaubed their faces since the last "funcion," leaving
their cheeks clear and clean. Water was profusely used, and their
cuerpos were doubtless astonished by the unusual lavation. Their long
black hair was washed and combed, plastered behind their ears, and
plaited into a long queue, which hung down their backs. _Enaguas_
of gaudy colour (red most affected) were donned, fastened round the
waist with ornamented belts, and above this a snow-white _camisita_
of fine linen was the only covering, allowing a prodigal display
of their charms. Gold and silver ornaments, of antiquated pattern,
decorate their ears and necks; and massive crosses of the precious
metals, wrought from the gold or silver of their own placeres, hang
pendant on their breasts. The enagua or petticoat, reaching about
half-way between the knee and ancle, displays their well-turned
limbs, destitute of stockings, and their tiny feet, thrust into
quaint little shoes (_zapatitos_) of Cinderellan dimensions. Thus
equipped, with the reboso drawn over their heads and faces, out of
the folds of which their brilliant eyes flash like lightning, and
each pretty mouth armed with its cigarito, they coquettishly enter
the fandango.[2] Here, at one end of a long room, are seated the
musicians, their instruments being generally a species of guitar,
called heaca, _bandolin_, and an Indian drum, called _tombé_--one
of each. Round the room groups of New Mexicans lounge, wrapped in
the eternal sarape, and smoking of course, scowling with jealous
eyes at the more favoured mountaineers. These, divested of their
hunting-coats of buckskins, appear in their bran-new shirts of gaudy
calico, and close fitting buckskin pantaloons, with long fringes
down the outside seam from the hip to the ancle; with mocassins,
ornamented with bright beads and porcupine quills. Each, round his
waist, wears his mountain-belt and scalp-knife, ominous of the
company he is in, and some have pistols sticking in their belt.
Public-domain text, read in full here on John Shaqi.
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