Blackwood's Edinburgh Magazine, Volume 64, No. 397, November 1848Various
History
Blackwood's Edinburgh Magazine, Volume 64, No. 397, November 1848
Various
England -- Periodicals; Scotland -- Periodicals
The dances--save the mark!--are without form or figure, at least
those in which the white hunters sport the "fantastic toe." Seizing
his partner round the waist with the gripe of a grisly bear, each
mountaineer whirls and twirls, jumps and stamps; introduces Indian
steps used in the "scalp" or "buffalo" dances, whooping occasionally
with unearthly cry, and then subsiding into the jerking step, raising
each foot alternately from the ground, so much in vogue in Indian
ballets. The hunters have the floor all to themselves. The Mexicans
have no chance in such physical force dancing; and if a dancing
Peládo[3] steps into the ring, a lead-like thump from a galloping
mountaineer quickly sends him sprawling, with the considerate
remark--"Quit, you darned Spaniard! you can't 'shine' in this crowd."
During a lull, guagés[4] filled with whisky go the rounds--offered
to and seldom refused by the ladies--sturdily quaffed by the
mountaineers, and freely swallowed by the Peládos, who drown
their jealousy and envious hate of their entertainers in potent
aguardiente. Now, as the guagés are oft refilled and as often
drained, and as night advances, so do the spirits of the mountaineers
become more boisterous, while their attentions to their partners
become warmer--the jealousy of the natives waxes hotter thereat--and
they begin to show symptoms of resenting the endearments which the
mountaineers bestow upon their wives and sweethearts. And now,
when the room is filled to crowding,--with two hundred people,
swearing, drinking, dancing, and shouting--the half-dozen Americans
monopolising the fair, to the evident disadvantage of at least
threescore scowling Peládos, it happens that one of these, maddened
by whisky and the green-eyed monster, suddenly seizes a fair one
from the waist-encircling arm of a mountaineer, and pulls her from
her partner. Wagh!--La Bonté--it is he--stands erect as a pillar for
a moment, then raises his hand to his mouth, and gives a ringing
war-whoop--jumps upon the rash Peládo, seizes him by the body as if
he were a child, lifts him over his head, and dashes him with the
force of a giant against the wall.
The war, long threatened, has commenced; twenty Mexicans draw their
knives and rush upon La Bonté, who stands his ground, and sweeps
them down with his ponderous fist, one after another, as they throng
around him. "Howgh-owgh-owgh-owgh-h!" the well-known war-whoop,
bursts from the throats of his companions, and on they rush to the
rescue. The women scream, and block the door in their eagerness to
escape; and thus the Mexicans are compelled to stand their ground
and fight. Knives glitter in the light, and quick thrusts are given
and parried. In the centre of the room the whites stand shoulder to
shoulder--covering the floor with Mexicans by their stalwart blows;
but the odds are fearful against them, and other assailants crowd up
to supply the place of those who fall.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account