Blackwood's Edinburgh Magazine, Volume 65, No. 399, January 1849Various
History
Blackwood's Edinburgh Magazine, Volume 65, No. 399, January 1849
Various
England -- Periodicals; Scotland -- Periodicals
"Ay, my child; and, in remembrance of this adventure, we shall hang
up among the pictures in the hall,
THE SWORD OF HONOUR."
MEMOIRS OF KIRKALDY OF GRANGE.[24]
[24] _Memoirs and Adventures of Sir Wm. Kirkaldy of Grange, Knight_,
&c. &c. WM. BLACKWOOD & SONS, Edinburgh and London.
It must be allowed that a perusal of Scottish history betrays more
anomalies than are to be found in the character of almost any other
people. It is not without reason that our southern neighbours
complain of the difficulty of thoroughly understanding our national
idiosyncrasy. At one time we appear to be the most peaceable race
upon the surface of the earth--quiet, patient, and enduring;
stubborn, perhaps, if interfered with, but, if let alone, in no way
anxious to pick a quarrel. Take us in another mood, and gunpowder is
not more inflammable. We are ready to go to the death, for a cause
about which an Englishman would not trouble himself; and amongst
ourselves, we divide into factions, debate, squabble, and fight with
an inveteracy far more than commensurate with the importance of the
quarrel. Sometimes we seem to have no romance; at other times we are
perfect Quixotes. The amalgamated blood of the Saxon and the Celt
seems, even in its union, to display the characteristics of either
race. We rush into extremes: one day we appear over-cautious, and on
the next, the _perfervidum ingenium Scotorum_ prevails.
If these remarks be true as applied to the present times, they
become still more conspicuous when we regard the troublous days of
our ancestors. At one era, as in the reign of David I., we find
the Scottish nation engaged, heart and soul, in one peculiar phase
of religious excitement. Cathedrals and abbeys are starting up in
every town. All that infant art can do--and yet, why call it infant,
since, in architecture at least, it has never reached a higher
maturity?--is lavished upon the structure of our fanes. Melrose, and
Jedburgh, and Holyrood, and a hundred more magnificent edifices,
rise up like exhalations throughout a poor and barren country; the
people are proud in their faith, and perhaps even prouder in the
actual splendour of their altars. A few centuries roll by, and we
find the same nation deliberately undoing and demolishing the works
of their forefathers. Hewn stone and carved cornices, tracery,
mullions, and buttresses, have now become abominations in their
sight. Not only must the relics of the saints be scattered to the
winds of heaven, and their images ground into dust, but every church
in which these were deposited or displayed, must be dismantled as
the receptacle of pollution. The hammer swings again, but not with
the same pious purpose as of yore. Once it was used to build; now
it is heaved to destroy. Aisle and archway echo to the thunder of
its strokes, and, amidst a roar of iconoclastic wrath, the venerable
edifice goes down. Another short lapse of time, and we are lamenting
Public-domain text, read in full here on John Shaqi.
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