Blackwood's Edinburgh Magazine, Volume 67, Number 414, April, 1850Various
History
Blackwood's Edinburgh Magazine, Volume 67, Number 414, April, 1850
Various
England -- Periodicals; Scotland -- Periodicals
Then a word about Emilia. "I prythee, let thy wife attend on her," says
Othello, going on board at Venice, to Iago. In the slight way in which
such arrangements can be touched, this request is conclusive evidence
to Emilia's being then _first_ placed about Desdemona's person. It has
no sense else; nor is there the slightest ground for supposing a prior
acquaintance, at least intimacy. What had an Ensign's wife to do with
a Nobleman's daughter? and now she is attached as an Attendant. Now,
consider, first, Emilia's character. She seems not very principled, not
very chaste. She gives you the notion of a tolerably well-practised
Venetian Wife. Hear Iago's opinion, who suspects her with two persons,
and one on general rumour. Yet how strong her affection for Desdemona,
and her faith in her purity! She witnesses for her, and she dies
for her! I ask, how long did that affection and that opinion take
to grow? a few days at Venice, and a week while they were sea-sick
aboard ship? No. Weeks--months. A gentle lady once made to me that
fine remark,--"Emilia has not much worth in herself, but is raised
into worth by her contact with Desdemona--into heroic worth!" "I care
not for thy sword--I'll make thee known, though I lost twenty lives."
And that bodeful "Perchance, Iago, I will ne'er go home"! what does
it mean? but a dim surmise, or a clear, that what she will disclose
will bring the death upon her from his dagger, which it brings. The
impure dying a voluntary martyr for the pure is to the highest degree
affecting--is the very manner of Shakspeare, to express a principal
character by its influence on subordinate ones--has its own moral
sublimity; but more than all, for our purpose, it witnesses time. Love,
and Faith, and Fidelity, won from her in whom these virtues are to be
first created!
SEWARD.
Very fine. My dear sir, you are not angry with me?
TALBOYS.
Angry? Not he. Look on his face--how mild!
NORTH.
Othello, in his wrath, calls Emilia "a closet-lock-and-key of villanous
secrets: and yet she'll kneel and pray; I have seen her do't." Where
and when? It could only have been at Cyprus; and such language denotes
a somewhat long attendance there on Desdemona.
SEWARD.
Ingenious--and better than so.
NORTH.
Public-domain text, read in full here on John Shaqi.
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