Blackwood's Edinburgh Magazine, Volume 67, Number 414, April, 1850Various
History
Blackwood's Edinburgh Magazine, Volume 67, Number 414, April, 1850
Various
England -- Periodicals; Scotland -- Periodicals
"Some of your function, mistress," renewed to Emilia--when, after
conversing with Desdemona, Othello is going out--is his treatment
of one whom he supposes to have been serviceable to his wife's and
Cassio's amour. Where? There, only there, in Cyprus, by all witnessing,
palpably. _She_ could not before. He speaks to her as _professional_ in
such services, therefore long dealing in them; but this all respects
this one intrigue, not her previous life. The wicked energy of
the forced attribution vanishes, if this respects anything but her
helpfulness to his wife and her paramour, and at Cyprus--there--only
there. Nothing points to a farther back looking suspicion. Iago's
"thousand times committed" can only lengthen out the stay at Cyprus.
Othello still believes that she once loved him--that she has fallen to
corruption.
BULLER.
Antenuptial?
NORTH.
Faugh! Could he have the most horrible, revolting, and loathsome of
all thoughts, that he wedded her impure? and not a hint given of that
most atrocious pang? Incredible--impossible! I can never believe, if
Shakspeare intended an infidelity taking precedency of the marriage,
that he would not by word or by hint have said so. Think how momentous
to our intelligence of the jealousy the _date_ is; not as to Tuesday
or Wednesday, but as to before or after the nuptial knot--before or
after the first religious loosing of the virgin zone. That a man's
wife has turned into a wanton--hell and horror! But that he wedded
one--Pah! Faugh! Could Iago, could Othello, could Shakspeare have left
_this_ point in the chronology of guilt to be argued out doubtfully?
No. The greatest of Poets for pit, boxes, and gallery, must have
written intelligibly to pit, boxes, and gallery; and extrication,
unveiled, after two hundred and fifty years, by studious men, in a fit
of perplexity, cannot be the thunderbolt which Shakspeare flung to his
audience at the Globe Theatre.
TALBOYS.
You remember poor, dear, Sweet Mrs Henry Siddons--_the_ Desdemona--how
she gave utterance to those words
"It was his bidding--therefore, good Emilia,
Give me my nightly wearing, and adieu;
We must not now displease him.
_Emilia._--I would you had never seen him!
_Desdemona._--So would not I; my love doth so approve him,
That even his stubbornness, his checks, and frowns,--
Pr'ythee, unpin me,--have grace and favour in them.
_Emilia._--I have laid those sheets you bade me on the bed.
_Desdemona._--All's one: Good father! how foolish are our minds!
If I do die before thee--pr'ythee shroud me
In one of those same sheets."
The wedding sheets were _reserved_. They had been laid by for
weeks--months--time long enough to give a saddest character to the
bringing them out again--a serious, ominous meaning--disturbed from the
quietude, the sanctity of their sleep by a wife's mortal presentiment
that they may be her shroud.
NORTH.
_Long time established at Cyprus._
Public-domain text, read in full here on John Shaqi.
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