To a mind like that of Chateaubriand, reposing in solitude when
Napoleon was acting with such marvellous effect in the world, the
character and qualities of that wonderful man could not fail to
be a constant object of solicitude and observation. It has been
already noticed that he braved the Emperor in the plenitude of his
power, and essentially contributed, in the crisis of his fate, to
his dethronement, and the re-establishment of the ancient line of
princes. But, as is not unusual with persons of his highly wrought
and generous temper of mind, his hostility to the Emperor declined
with the termination of his authority, and his admiration for his
genius rose with the base desertion of the revolutionary crowd who
had fawned upon him when on the throne. The following observations
on the style of his writings, indicate the growth of this counter
feeling, and are in themselves equally just and felicitous:--
"His partisans have sought to make of Buonaparte a perfect
being; a model of sentiment, of delicacy, of morality, and of
justice--a writer like Cæsar and Thucydides, an orator like
Demosthenes, a historian like Tacitus. The public discourses of
Napoleon, his sonorous phrases in the tent and at the council
board, are the less inspired by the spirit of prophecy, that
many of the catastrophes which he announced have not been
accomplished, while the warlike Isaiah himself has disappeared.
Prophecies of doom which follow without reaching states become
ridiculous. It is their accomplishment which renders them
sublime. During sixteen years, Napoleon was the incarnation
of destiny. Destiny now is mute, and he, too, should be
so. Buonaparte was not a Cæsar; his education had neither
been learnedly nor carefully conducted: half a stranger, he
was ignorant of the first rules of our language, and could
hardly spell it; but what did it signify, after all, that his
expression was defective?--he gave the law to the universe. His
bulletins have the most thrilling of all eloquence--that of
victory. Sometimes, during the intoxications of success, they
affected to be written on a drum-head: in the midst of the most
lugubrious accents, something emerged which excites a smile. I
have read all that Napoleon has written--the first manuscripts
of his infancy, his love-letters to Josephine, the five volumes
of his discourses, bulletins, and orders; but I have found
nothing which so truly portrays the character of that great
man, when in adversity, as the following autograph note left at
Elba:--
"'My heart refuses to share in ordinary joys as ordinary sorrows.
"'Not having given myself life, I am not entitled to take it
away.
"'My bad genius appeared to me and announced my end; which I
found at Leipsic.
"'I have conjured up the terrible spirit of innovation, which
will overrun the world.'
Public-domain text, read in full here on John Shaqi.
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