Blackwood's Edinburgh Magazine, Volume 69, No. 427, May, 1851Various
General
Blackwood's Edinburgh Magazine, Volume 69, No. 427, May, 1851
Various
England -- Periodicals; Scotland -- Periodicals
Sail forth into the sea, O ship!
Through wind and wave right onward steer!
The moistened eye, the trembling lip,
Are not the signs of doubt or fear!
Sail forth into the sea of life,
O gentle, loving, trusting wife,
And safe from all adversity
Upon the bosom of that sea
Thy comings and thy goings be!
For gentleness, and love, and trust,
Prevail o'er angry wave and gust.
Thou too, sail on, O ship of state!
Sail on, O UNION, strong and great!
Humanity, with all its fears,
With all its hopes of future years,
Is hanging breathless on thy fate!
We know what master laid thy keel,
What workmen wrought thy ribs of steel,
Who made each mast and sail and rope,
What anvils rang, what hammers beat,
In what a forge, and what a heat
Were shaped the anchors of thy hope!
Fear not each sudden sound and shock!
'Tis of the wave, and not the rock;
'Tis but the flapping of the sail
And not a rent made by the gale!
In spite of rock and tempest roar,
In spite of false lights on the shore,
Sail on, nor fear to breast the sea!
Our hearts, our hopes, are all with thee,
Our hearts, our hopes, our prayers, our tears,
Our faith triumphant o'er our fears,
Are all with thee--are all with thee!"
This noble ode leads the van of a small collection of poems called, "By
the Seaside." A series of companion-pictures bear the name of, "By the
Fireside." We may as well proceed with a few extracts from these. The
following are from some verses on "The Lighthouse."
"The mariner remembers when a child
On his first voyage, he saw it fade and sink;
And, when returning from adventures wild,
He saw it rise again on ocean's brink.
Steadfast, serene, immovable, the same
Year after year, thro'all the silent night
Burns on for evermore that quenchless flame,
Shines on that inextinguishable light!
The startled waves leap over it; _the storm
Smotes it with all the scourges of the rain_,
And steadily against its solid form
Press the great shoulders of the hurricane."
This is bold and felicitous: the following, to "The Twilight," is in a
more tender strain. The first verse we cannot quote: we suspect there
is some misprint in our copy. Mr Longfellow could not have written
these lines--
"And like the wings of sea-birds
Flash the _white caps_ of the sea."
Whether women's caps or men's nightcaps are alluded to, the image would
be equally grotesque. The poem continues--
"But in the fisherman's cottage
There shines a ruddier light,
And a little face at the window
Peers out into the night.
Close, close it is pressed to the window,
As if these childish eyes
Were looking into the darkness
To see some form arise.
And a woman's waving shadow
Is passing to and fro,
Now rising to the ceiling,
Now bowing and bending low.
Public-domain text, read in full here on John Shaqi.
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