Blackwood's Edinburgh Magazine, Volume 71, No. 437, March 1852 — John Shaqi
Blackwood's Edinburgh Magazine, Volume 71, No. 437, March 1852Various
General
Blackwood's Edinburgh Magazine, Volume 71, No. 437, March 1852
Various
England -- Periodicals; Scotland -- Periodicals
"'The hands are not the hands of Esau,'" she replied, "'but the
voice is the voice of Jacob.' Still there is no reason to despair,
nor even perhaps to augur a disappointment, for nobody can form an
opinion either as to success or failure till the experiment has been
fairly tried, and I trust we shall now not have much longer to wait."
"But with these misgivings--to call them by the gentlest name--I
wonder, Miss Claribel, you still insist on trying your fortune on
the boards."
"I made a vow, under very peculiar circumstances," she replied,
"that I would support myself by my dramatic powers; and though a
fortune of millions were to fall at my feet to-morrow, I would show
those who derided my ambition that it was justified by my talents. I
will be an actress, and the first on the stage!"
When I saw the play of her features, and heard the calm, subdued
energy of her voice, I felt little doubt that her prophecy would
be accomplished. I, however, began to feel some very lively doubts
as to Hamlet, and it required several criticisms from my mother,
and a great deal of stamping and grimacing before the mirror, to
restore me to the enjoyment of the sunshine of self-respect. At
last Catsbach returned. He sent to announce his arrival, and to
say he would join me that evening, and bring with him a literary
friend, who might be very useful to me in my dramatic career.
They came. "Let me introduce you to my friend, Mr Wormwood, the
orator and poet," said Catsbach, shaking me by the hand very warmly
himself. "You will be the best friends in the world; and Wormwood
has been very anxious for a long time to make your acquaintance."
The stranger bowed low, and so did I; not without a strong tickling
of my vanity at the wideness of my reputation. We sat down, and I
could contemplate my visitor at full leisure. He was a little man,
of whom the prevailing feature was a nose of astonishing prominence,
that overshadowed not only the remaining features of his face, but
the whole of his person. It formed the central point of his whole
organisation, and was, in fact, Mr Wormwood, without the help
either of face or figure. His brow retreated in apparent alarm,
pulling the eyebrows with it nearly to the top of the skull; his
chin also had retired into his neck, and there was nothing visible
but the one prevailing feature--a pyramid in a waste of sand. The
sudden retrocession of his brow was only seen in profile; and as he
was bald, and treated all the exposed skin of his head as forehead
up to the very crown, he presented a very intellectual appearance in
the eyes of those with whom high brows are considered "the dome of
thought, the temple of the soul." His side hair was carefully combed
off, so as to expose as great an expanse as possible; and it was
evident that great pains were bestowed on the picturesqueness and
poetry of the appearance--a small thin man, rather shabbily drest,
and with manners duly compounded of civility and pomp.
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