We should wish to make this a very long article, and to run a little wild, like Richter himself, if the inspiration would only sustain us; but it may not be. Biographies, even the best, of literary men possess a complete and satisfactory interest only to those who are acquainted in some degree with the works of the author; and Madame de Stael has told us with an authoritative voice that, however great the powers of Richter were, “nothing that he has published can ever extend beyond the limits of Germany.”[4] Now, though this has more the air of a narrow last-century judgment than one of the present day, and is, perhaps, more French than English; yet the fact is, that Richter has not hitherto extended his literary influence, except in the case of a few stray individuals, beyond his native country; and his biography can, of course, not expect to meet with the same extensive welcome from a British public that was given to that of Schiller, and Mrs Austin’s Characteristics of Göethe. Nevertheless, the work from which we shall presently make a few extracts is a most valuable addition to those links that are daily uniting us with more endearing bonds to the Saxon brotherhood beyond the Rhine; it is a step, and a bold one, in advance. We have now almost to satiety made a survey of the neat classical Weimar, and we are plunging at once, with bold fearless swoop, into the very centre of the Fatherland, into the midst of the untrodden fir forests of the _Fichtelgebirge_, where many great hearts billow out sublime thoughts--hearts that never saw that which is most kindred to them in nature--the sea. So it was with Richter literally. Born at the little mountain town of Wunsiedel, between Bayreuth and Bohemia, and shifting about with a migratory elasticity from Bayreuth to Berlin, from Berlin to Coburg, from Coburg to Heidelberg, he died without having ever feasted his eyes (what a feast to a man like him!) on the glowing blue of the Mediterranean, or drunk in with his ears the “ανηριθμον γελασμα” the multitudinous laughter of the Baltic wave. A genuine German!--in this respect certainly, and in how many others! A German in imagination--Oh, Heaven! he literally strikes you blind with skyrockets and sunbeams (almost as madly at times as our own Shelley), and circumnavigates your brain with a dance of nebulous Brocken phantoms, till you seriously doubt whether you are not a phantom yourself: a German for kindliness and simplicity and true-heartedness--a man having his heart always in his hand, and his arms ready to be thrown round every body’s neck; greeting every man with a blessing, and cursing only the devil, and--like Robert Burns--scarcely him heartily: a German for devoutness of heart, and purity of unadulterated evangelic feeling, without the least notion, at the same time, of what in Scotland we call orthodoxy, much less of what in England they call church; a rare Christian; a man whom you cannot read and relish thoroughly unless you