In what words can the awe and wonder of Blade-o'-Grass be described? She had her own ideas of things, and she was surprised to find the interior of the theatre so different from what she had imagined. Boxes, pit, and gallery, she knew there were. But she had set down in her mind that the boxes were veritable boxes, in which the people were shut, with little eye-holes to peep through; and the pit she had imagined as a large dark space dug out of the earth, very low down, where the people were all huddled together, and had to look up to see what was going on. It was to the pit they went, and for some time Blade-o'-Grass was too astonished to speak. A very, very large O would fitly describe her condition. Tom Beadle, on the contrary, was quite composed; theatres were but ordinary places to him. But used-up as he was to the pleasures of the town, he derived a new pleasure from the contemplation of the wonderment of Blade-o'-Grass. 'O, Tom! O, Tom!' she whispered in ecstasy, edging closer to him, when at last she found courage to use her tongue. It was a large theatre, with a great deal of gold-leaf about it; and the audience were evidently bent upon enjoying themselves, and vehemently applauded at every possible opportunity. Thus, when the lights are turned up, and a bright blaze breaks out upon the living sea of faces, there is much clapping of hands, and much stamping of feet, and other marks of approval. When the musicians straggle into the orchestra, they are also vehemently applauded; but those 'high and mighty' might have been by themselves in the Desert of Sahara, for all the heed they pay to the audience. The occupiers of the gallery are very noisy in their demonstrations, and issue their commands with stentorian lungs. 'Now, then; scrape up, cat-gut!' 'Hoo-o-o-o! Scrape up! Up with the rag!' with cries, and shouts, and whistles, which strike fresh wonderment to the soul of Blade-o'-Grass. She is not frightened at the noise; for even Tom Beadle puts his two little fingers to the corners of his lips, and adds shrill whistles to the general confusion--in the performance of which duty he stretches his mouth to such an extent that, as a feature, it becomes a hideous mockery. But at length the band strikes up with a crash, the sound of which is speedily drowned in the roar of delight that follows. In due time--but not in time to satisfy the impatient audience--the music ceases, and a general shifting and rustling takes place among the audience. A moments breathless expectation follows; a cracked bell gives the meanest of tinkles; and Blade-o'-Grass bends a little more forward as that awful and magic green curtain is drawn upwards by invisible hands. The piece that is there and then represented to the wondering soul of Blade-o'-Grass is a 'strong domestic drama,' as the playbill has it, and Blade-o'-Grass gasps and sobs and catches her breath at the 'striking' situations with which the play is filled. The piece is a