Blade-O'-Grass. Golden Grain. and Bread and Cheese and Kisses.Farjeon, B. L. (Benjamin Leopold)
General
Blade-O'-Grass. Golden Grain. and Bread and Cheese and Kisses.
Farjeon, B. L. (Benjamin Leopold)
Christmas stories; Fiction
narration of the struggles and vicissitudes of the poorest class of
the community--the class indeed, the lower stratum of which is
occupied by just such persons as Tom Beadle and Blade-o'-Grass; and a
curious commentary is made on it the next day by Blade-o'-Grass, who,
dilating upon its wonders and entrancements, declares that she 'never
seed sich a thing in all her born days.' There are of course in the
piece a painfully-virtuous wife, a desperate villain, to whom murder
is child's play, a delirium-tremens beggar, a Good Young Man, and a
vilified Jew; and as these characters play their parts, Blade-o'-Grass
thrills and quivers with delicious excitement. Tom Beadle also enters
into the excitement of the representation, and stamps and claps his
hands and whistles as vigorously as any one there. But when the
'strong domestic drama' is concluded, and the glories of the burlesque
are unfolded to the ravished senses of Blade-o'-Grass, then, indeed,
is she in heaven. Never has she conceived anything so enchanting as
this. It is the first fairy story that has ever been presented to her.
How she screams over the meaningless songs! How she devours with her
eyes the display of female limbs! 'O, 'ow lovely, Tom!' she whispers.
'O, don't I wish I was them!'
'You'd look as well as any of 'em, Bladergrass,' says Tom, who knows
everything, 'if you was took in 'and, and if you could darnce.'
'O no, Tom--O no!' exclaims Blade-o'-Grass: 'I ain't got sich legs.'
Tom laughs, and whispers confidentially that 'them legs ain't all
their own. He knows a cove who knows a balley-gal, and she pads her
legs like one o'clock.' Blade-o'-Grass, in her heart of hearts, can't
believe it; but she is too much absorbed in the performance to enter
into argument. So the pageant passes before her eyes until all the
songs are sung and all the dances danced; and when the curtain falls
upon the brilliant last scene, she looks solemnly at Tom, and a great
sob escapes her because it is all over. She can scarcely repress her
tears. It is a wondrous night for Blade-o'-Grass, and lives in her
memory for long afterwards. Tom Beadle proposes 'a eel supper,' and
they sit in state, like the best nobles in the land, in a dirty box in
a dirty eel-pie shop; and as they eat their eels off a dirty plate,
with a dirty spoon and fork, Blade-o'-Grass looks up to her companion
as to a god; and Tom, noticing the girl's sparkling eyes and flushed
cheeks, says, with an approving nod, 'I'm blessed if you won't beat
Poll Buttons into fits.' Then they go home, and Blade-o'-Grass dreams
that she is an angel hanging from the flies.
That first night at a theatre filled Blade-o'-Grass with a new
ambition, and her better prospects inspired her with confidence. She
determined to learn to dance.
Public-domain text, read in full here on John Shaqi.
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