"Ha! me chère ennemie
Si tu veux m'apaiser,
Redonne--moy la vie
Par l'esprit d'un baiser.
Ha! j'en ay la douceur
Senti jusque au c[oe]ur.
C'est une douce rage
Qui nous poindra doucement
Quand d'un même courage
On s'aime incessament.
Heureux sera le jour
Que je mourrai d'amour!"
V
This audacious love-song at that time flitted from lip to lip at the
court of King Francis, until about a year later the poet Ronsard sang
it,--and after he had enriched it with two or three daintily elaborated
verses it was incorporated with his works.
De Lancy had often hummed it when hastening through the gray corridors,
or walking in the garden under the sombre boughs of the blossoming
lindens. But never had Blanche heard it so completely and clearly. Warm
and full the tones of his voice rang in her ears. Through this
exuberant and frivolous nature passed the agitating sense of an almost
pathetic tenderness.
Blanche stared before her into the empty air, and there came into her
face a great terror--a mighty longing!
VI
Gottfried watched and suffered--each hour more suspicious and uneasy.
In the castle chapel of Montalme stood a narrow-chested saint with
peaked beard,--St. Sebaldus,--who bore on his wooden forefinger an
amethyst ring. With this ring was connected a legend,--viz.,--that
whoever would have the courage to draw it off the finger at midnight
and put it on his own--to him Heaven would grant the fulfilment of his
wish, even were it the most presumptuous in the world. But should the
one who took off the jewel let it fall from his linger ere returning it
on the following night, as in duty bound, to the saint, some terrible
misfortune would speedily overtake him.
It was midnight, and deathly stillness reigned; the moonlight played
about the pointed roof and glittered in the deeply set windows of the
old castle. Black and heavy, almost as a bier-cloth, the shadow of this
gigantic old building spread over the ground. In the garden below, the
nightingales sobbed their sweet songs in the flowering lindens,
sometimes interrupted by the weird screech of an owl. Then a slender
figure glided softly through the echoing corridors of the castle--the
figure of a love-sick girl. At times she paused and listened and laid
her hand upon her breast. A vague, ghostly fear chilled the blood in
her veins. Now she stepped through the high hall adjoining the chapel.
She opened the door heavily weighted with its ornamental iron bands and
rosettes. The moonlight glanced through the coloured windows and
painted fantastic images on the brown church pews. Two long, brilliant
streaks of light cut through the shadows which broadened out over the
marble floor.
Public-domain text, read in full here on John Shaqi.
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