Louder and louder the voice swelled out, piercing as a cry of anguish;
yet full of a powerful sweetness the song echoed through the sultry
stillness of night. It struck the ear of the rider. He checked his
horse, looked around him, and then spurred the animal anew until he
leaped wildly on.
She bent forward--farther forward,--"Plus d'espoir!" she groaned. Her
heart was so heavy, so heavy! Beneath, the dew glistened like a silver
sheen over the azure fields, out of which an angel seemed calling her
to "Cool rest--cool rest!"
She bent forward--forward! and then fell many, many fathoms deep into
the moat below.
* * * * *
The heavy fall was heard in the castle, and soon the servants with
torches hurried forth to see what had happened.
There, below, glimmered something white as a blossom broken off by the
storm. They climbed down. The light of the torches played over a pale,
lovely face which smiled in death. She was not disfigured, not a
particle of dust, not a speck of mud or soil of earth, adhered to her
white garment, although she had fallen among plants growing in the mud.
In spotless purity the white folds wound about her beautiful limbs. And
when the people saw this, they marvelled, and said, "A miracle!" Then
one pressed through the throng, deathly pale with distorted face--Henri
de Lancy!
But Gottfried coldly turned him away from the dead maiden.
Right tenderly the old soldier lifted the lovely body in his arms,
murmuring:
"Her heart was broken--she is released!"
XI
It was an age full of horrors, when the noblest blood of illustrious
Hellenism rose up to face a background of battles, orgies, and pulpit
harangues. It was not only a period in which Lorenzo de' Medici, in
disguise and at the head of a bacchanalian troop tore through the
streets of Florence; Benvenuto Cellini stabbed his enemies at the
street corners; Pope Leo at a cardinal's supper presented a sacrifice
of doves to the Goddess of Love upon a white marble altar, and
offered to his favourite, Raphael, a cardinal's hat in payment of his
bills--but a time also when Savonarola preached the loftiest
asceticism; Rabelais, in the midst of his obscene rhapsodies, created
the wonderful idyl of l'Abbaye de Telesme; Fra Angelico on his knees
painted his picture of Christ, and the triumphal procession of an
emperor ended in a monastery!
A time full of enigmas! and among the many enigmas which lived in it,
was one of a sad, silent monk, of whom his cloister-brethren asserted
that he once had led a very dissolute life, but now was the most
absorbed _dèvoté_.
Public-domain text, read in full here on John Shaqi.
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