Conspiracies -- Fiction; Domestic fiction; Ireland -- Fiction; Married women -- Fiction; Secret societies -- Fiction; Suspense fiction
Sir Giles appealed helplessly to his god-daughter. "What does this
mean?" Instead of answering, she looked at the Sergeant. The Sergeant,
conscious of responsibility, stood his ground and looked at Sir Giles.
His face confessed that the Irish sense of humour was tickled: but he
showed no intention of leaving the room. Sir Giles saw that Iris would
enter into no explanation in the man's presence. "You needn't wait any
longer," he said.
"What am I to do, if you please, with the prisoner?" the Sergeant
inquired.
Sir Giles waived that unnecessary question away with his hand. He was
trebly responsible--as knight, banker, and magistrate into the bargain.
"I will be answerable," he replied, "for producing Miss Henley, if
called upon. Good night."
The Sergeant's sense of duty was satisfied. He made the military
salute. His gallantry added homage to the young lady under the form of
a bow. Then, and then only, he walked with dignity out of the room.
"Now," Sir Giles resumed, "I presume I may expect to receive an
explanation. What does this impropriety mean? What were you doing at
the milestone?"
"I was saving the person who made the appointment with you," Iris said;
"the poor fellow had no ill-will towards you--who had risked everything
to save your nephew's life. Oh, sir, you committed a terrible mistake
when you refused to trust that man!"
Sir Giles had anticipated the appearance of fear, and the reality of
humble apologies. She had answered him indignantly, with a heightened
colour, and with tears in her eyes. His sense of his own social
importance was wounded to the quick. "Who is the man you are speaking
of?" he asked loftily. "And what is your excuse for having gone to the
milestone to save him--hidden under my cloak, disguised in my hat?"
"Don't waste precious time in asking questions!" was the desperate
reply. "Undo the harm that you have done already. Your help--oh, I mean
what I say!--may yet preserve Arthur's life. Go to the farm, and save
him."
Sir Giles's anger assumed a new form, it indulged in an elaborate
mockery of respect. He took his watch from his pocket, and consulted it
satirically. "Must I make an excuse?" he asked with a clumsy assumption
of humility.
"No! you must go."
"Permit me to inform you, Miss Henley, that the last train started more
than two hours since."
"What does that matter? You are rich enough to hire a train."
Sir Giles, the actor, could endure it no longer; he dropped the mask,
and revealed Sir Giles, the man. His clerk was summoned by a peremptory
ring of the bell. "Attend Miss Henley to the house," he said. "You may
come to your senses after a night's rest," he continued, turning
sternly to Iris. "I will receive your excuses in the morning."
In the morning, the breakfast was ready as usual at nine o'clock. Sir
Giles found himself alone at the table.
Public-domain text, read in full here on John Shaqi.
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