Illegitimate children -- Fiction; Man-woman relationships -- Fiction; Middle West -- Fiction
Their discussions were often continued after brushes were laid aside.
She accepted invitations to tea in the studio or sat on his terrace
on warm nights after the children were asleep. The long drawn out
culmination of her relationship to Miles had given her the habit of
self-analysis, and she laughed somewhat over the appeal that Osprey
made to her as a man. She could not deny that it was the same that
originally had drawn her to her husband. She dealt here with a greater
Miles, wiser and more experienced. Nevertheless, she sensed in him the
type that was not self-sufficient, that required sympathy of a subtle
kind, and required it, when found, with an intensity that in this
case was beginning to prove hypnotic to her. Unquestionably Potter
Osprey was gradually becoming a necessary part of her life, and this
was not her fault but his. She had hinted at, more than revealed, the
state of affairs between herself and Miles. It was impossible not to
do so, appearances being what they were; and the older man’s complete
understanding coupled with hesitation to advise, was a soothing remedy
to her hurts.
The attraction which was growing between herself and Osprey was
totally different from her feeling for his friend, Roget, with whom
she had become acquainted. The distinguished producer treated her
with bantering equality from the start. It was as if they recognized
a likeness to each other in essential strength, and the hesitation,
almost anxiety, which Roget had felt over the painter’s passionate
adoption of Moira’s cause disappeared on knowing her. He began to
think of the whole affair as a pleasant and lasting alliance for his
friend, of some sort, and he little doubted of what sort it would be.
Obstacles there were, which he did not concern himself with. Once a
possibility took life in Roget’s brain, obstacles did not exist. He had
seen too many large ones swept aside.
To Moira, the obstacles were more significant, and yet they had
diminished amazingly in the last three months. The prospect that Osprey
would take their friendship seriously did have about it a quality of
dark adventure which made even her steady pulses jump uncomfortably.
But to the young woman who sees her marriage being slowly broken up
before her eyes, while she is helpless to restore it, everything is
touched by the shimmer of madness. And she asked herself what could
have been more mad, more out of all normal reason, than her whole life?
Moreover, she had a firm support now, one that gave her the strength
to adventure--her art. The intimation had visited her at last that she
might triumph in it; and, having reached that certainty, she felt it a
more present help than coffers heaped with gold.... The picture which
Roget had tried to buy she laughingly refused to sell him, but he had
countered with a problem in stage design which he promised to accept if
it offered a suggestion to work on. Here was a beginning, at least.
Public-domain text, read in full here on John Shaqi.
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