Illegitimate children -- Fiction; Man-woman relationships -- Fiction; Middle West -- Fiction
Potter, however, did not stir; and for a time there was no sound
except the thumping of Ellen’s iron on the thickly padded board. She
was thumping harder than need be, because she was angry. She was often
angry with him. Yet his prolonged visits with her in the kitchen or
on the back stoop of a fine afternoon meant much to her. The family
already teased her, calling young Osprey “Ellen’s pet.” Then Tom
Meadowburn reminded them that “Ellen always had a pet. Remember
Wolly Judson.” This sally caused an uproar. Wolly Judson had been a
Winnipegian of sixty-eight, a town character, a tottering flirt, who
had brought the current gossip regularly to Ellen’s door.
Potter heard none of this chaffing, yet in his talks with her he
betrayed a small opinion of the Meadowburns, all except his friend
Bennet, with whom he sang in the choir. Once he told her indignantly
that she worked too hard, she was spoiling the whole family. Why didn’t
the others do more? Ellen laughed heartily. She did not believe any
such thing. It was her lot to work, and keep at it until things were
done.
Ellen was neither by birth nor legal adoption a member of the
Meadowburn household. She lived there, a fixture; and the principal
advantages did accrue to the family. They obtained a willing, strong
and tireless servant, modest and well-appearing enough to be treated
as a distant relative (and consequently not paid except when chance
generosity dictated). She had been with the Meadowburns since she was
twelve, learning by heart their various needs so that she could have
administered to them in her sleep. She was now twenty-seven, a gaunt
figure, black-eyed and above the middle height. The face would have
been attractive but for the toughened swarthiness it had acquired, and
the cheeks perceptibly sunken by the absence of jaw teeth.
The Meadowburn children had grown up under her care, the two eldest
girls being little more than babies at the time the orphan asylum
in New Orleans yielded her young and frightened body into the hands
of Mrs. Meadowburn. Ellen had found time for those fretful and
ill-tempered midgets, in addition to keeping the house spotless,
laundering for six and cooking the meals. Mrs. Meadowburn had been left
free to nurse a collection of modern ills, and to dream of her youth
as the dark beauty of a northwestern town. Since those days a morose
gloom had settled upon her handsome, Indian-like face. Ellen had rarely
known her to laugh at all. Even the smile with which she greeted her
husband’s jokes was wan and half-hearted.
It was to Ellen that Tom Meadowburn looked for the fullest appreciation
of his comic genius and his masculine importance. Few men were more
conscious of both than he, and even in those moments when the comic
mask fell away completely, there was something in the solemn air of
pompous judgment and disciplinary wisdom which to any one but his
adoring brood would have seemed most funny.
Public-domain text, read in full here on John Shaqi.
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