Illegitimate children -- Fiction; Man-woman relationships -- Fiction; Middle West -- Fiction
He laughed again, attempting naturalness, and ruffled his hair with a
sudden motion of his hand. But she felt the husband slipping from her
grasp, turning defiantly before her eyes into the vagrant poet....
XXI
They moved again, the landlord uptown having raised the rent at the
expiration of their lease. The new place was in two large, bare rooms
four stories up, lighted by gas, and without any kitchen except a
small gas stove in a corner and some shelves concealed by a wall-board
screen. There was a dilapidated bathroom, and a roof above where she
could take the children in good weather. The place was in the Italian
quarter and was cheap. The move seemed a logical one to Moira, for it
brought them down in the social scale. If they were to be poor, it was
better to live with the poor than with the pretentious. And the Italian
section was in the Village, of which they had both become incurably
fond, and where for many reasons they felt most comfortable.
The house was managed by an Italian woman named Respetti, who had
once done odd jobs of sewing for Moira and for whom she felt a strong
liking. Mrs. Respetti had appeared to be quite overjoyed to see her
again, delighted to hear of her marriage and her children, and had
offered to help her look after them when she could. Her willingness in
this regard was the deciding factor in Moira’s choice of the house.
She had not been installed there more than a few weeks when Miles
finally lost his job outright, an event she had anticipated almost
any day since before the birth of her little girl. He made efforts to
obtain work of the same kind, but unsuccessfully. He got books for
review. He did whatever came along. One day he brought her a check
signed by his father. He began shortly afterwards to be somewhat
worse than idle, and sought forgetfulness of his troubles in a way to
increase them....
Moira had lived to see three men in him: the skylarking poet, the
dogged misfit in business, and finally the self-drugged and nearly
self-convinced failure. And still the vision of the first one haunted
her and she hoped to bring it back to life.
Left to herself, she made friendships in the Village and built up
her own income to fairly respectable proportions. She was, at least,
preserved from downright anxiety about the children. In her youth at
Thornhill, had she witnessed the privations and makeshifts which now
made up her life she would have thought them a chapter out of some
incredible tale of human misfortune.
One night when she had waited late for Miles and he had not come, she
went to Sophie’s Kitchen.
This was a dimly lighted little restaurant, with two rows of board
tables down each wall, and an exotically foreign air, where the food
was well-flavoured and not so expensive as in most of the show
places of the section. She was very fond of Sophie, the proprietress,
a whole-souled woman, discriminating in her intimates, with a soft,
pleasing voice, and remarkably long, narrow hazel eyes.
Public-domain text, read in full here on John Shaqi.
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