Europe -- Social life and customs -- Fiction; New Zealand -- Social life and customs -- Fiction; Short stories, New Zealand
There! it had come—the moment—the _geste!_ And although I was so ready,
it caught me, it tumbled me over; I was simply overwhelmed. And the
physical feeling was so curious, so particular. It was as if all of me,
except my head and arms, all of me that was under the table, had simply
dissolved, melted, turned into water. Just my head remained and two
sticks of arms pressing on to the table. But, ah! the agony of that
moment! How can I describe it? I didn’t think of anything. I didn’t
even cry out to myself. Just for one moment I was not. I was Agony,
Agony, Agony.
Then it passed, and the very second after I was thinking: “Good God! Am
I capable of feeling as strongly as that? But I was absolutely
unconscious! I hadn’t a phrase to meet it with! I was overcome! I was
swept off my feet! I didn’t even try, in the dimmest way, to put it
down!”
And up I puffed and puffed, blowing off finally with: “After all I must
be first-rate. No second-rate mind could have experienced such an
intensity of feeling so . . . purely.”
The waiter has touched a spill at the red stove and lighted a bubble of
gas under a spreading shade. It is no use looking out of the window,
Madame; it is quite dark now. Your white hands hover over your dark
shawl. They are like two birds that have come home to roost. They are
restless, restless. . . . You tuck them, finally, under your warm
little armpits.
Now the waiter has taken a long pole and clashed the curtains together.
“All gone,” as children say.
And besides, I’ve no patience with people who can’t let go of things,
who will follow after and cry out. When a thing’s gone, it’s gone. It’s
over and done with. Let it go then! Ignore it, and comfort yourself, if
you do want comforting, with the thought that you never do recover the
same thing that you lose. It’s always a new thing. The moment it leaves
you it’s changed. Why, that’s even true of a hat you chase after; and I
don’t mean superficially—I mean profoundly speaking . . . I have made
it a rule of my life never to regret and never to look back. Regret is
an appalling waste of energy, and no one who intends to be a writer can
afford to indulge in it. You can’t get it into shape; you can’t build
on it; it’s only good for wallowing in. Looking back, of course, is
equally fatal to Art. It’s keeping yourself poor. Art can’t and won’t
stand poverty.
_Je ne parle pas français. Je ne parle pas français._ All the while I
wrote that last page my other self has been chasing up and down out in
the dark there. It left me just when I began to analyse my grand
moment, dashed off distracted, like a lost dog who thinks at last, at
last, he hears the familiar step again.
Public-domain text, read in full here on John Shaqi.
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