Europe -- Social life and customs -- Fiction; New Zealand -- Social life and customs -- Fiction; Short stories, New Zealand
“Cockroach! That’s what she is. She’s a cockroach!” said Miss Moss. “I
could have her up for snatching my letter—I’m sure I could.” Still
keeping on her nightdress she began to drag on her clothes.
“Oh, if I could only pay that woman, I’d give her a piece of my mind
that she wouldn’t forget. I’d tell her off proper.” She went over to
the chest of drawers for a safety-pin, and seeing herself in the glass
she gave a vague smile and shook her head. “Well, old girl,” she
murmured, “you’re up against it this time, and no mistake.” But the
person in the glass made an ugly face at her.
“You silly thing,” scolded Miss Moss. “Now what’s the good of crying:
you’ll only make your nose red. No, you get dressed and go out and try
your luck—that’s what you’ve got to do.”
She unhooked her vanity bag from the bedpost, rooted in it, shook it,
turned it inside out.
“I’ll have a nice cup of tea at an A B C to settle me before I go
anywhere,” she decided. “I’ve got one and thrippence—yes, just one and
three.”
Ten minutes later, a stout lady in blue serge, with a bunch of
artificial “parmas” at her bosom, a black hat covered with purple
pansies, white gloves, boots with white uppers, and a vanity bag
containing one and three, sang in a low contralto voice:
Sweet-heart, remember when days are forlorn
It al-ways is dar-kest before the dawn.
But the person in the glass made a face at her, and Miss Moss went out.
There were grey crabs all the way down the street slopping water over
grey stone steps. With his strange, hawking cry and the jangle of the
cans the milk boy went his rounds. Outside Brittweiler’s Swiss House he
made a splash, and an old brown cat without a tail appeared from
nowhere, and began greedily and silently drinking up the spill. It gave
Miss Moss a queer feeling to watch—a sinking—as you might say.
But when she came to the A B C she found the door propped open; a man
went in and out carrying trays of rolls, and there was nobody inside
except a waitress doing her hair and the cashier unlocking cash-boxes.
She stood in the middle of the floor but neither of them saw her.
“My boy came home last night,” sang the waitress.
“Oh, I say—how topping for you!” gurgled the cashier.
“Yes, wasn’t it,” sang the waitress. “He brought me a sweet little
brooch. Look, it’s got ‘Dieppe’ written on it.”
The cashier ran across to look and put her arm round the waitress’
neck.
“Oh, I say—how topping for you.”
“Yes, isn’t it,” said the waitress. “O-oh, he is brahn. ‘Hullo,’ I
said, ‘hullo, old mahogany.’”
“Oh, I say,” gurgled the cashier, running back into her cage and nearly
bumping into Miss Moss on the way. “You are a _treat!”_ Then the man
with the rolls came in again, swerving past her.
“Can I have a cup of tea, Miss?” she asked.
But the waitress went on doing her hair. “Oh,” she sang, “we’re not
_open_ yet.” She turned round and waved her comb at the cashier.
“_Are_ we, dear?”
“Oh, no,” said the cashier. Miss Moss went out.
Public-domain text, read in full here on John Shaqi.
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