England -- Social life and customs -- 19th century -- Fiction; Genealogy -- Fiction
But at the very same moment, in those more modest rooms, up two pair of
stairs in the Back Quad, which Dick had selected for himself as being
the cheapest then vacant, the Prince of the Blood himself sat in an old
stuffed chair, in a striped college boating coat, engaged in discussing
his critic Gillingham in a more friendly spirit with a second-year man,
who, though not a smug, was a reader and a worker, by name Gillespie,
a solid Glasgow Scotchman. They had rowed together that afternoon in
a canvas pair to Sandford, and now they were working in unison on a
chapter or two of Aristotle.
'For my own part,' Dick said, 'when I hear Gillingham talk, I'm so
overwhelmed with his knowledge of life and his knowledge of history, and
his extraordinary reading, that I feel quite ashamed to have carried off
the Scholarship against him. I feel the examiners must surely have made
a mistake, and some day they'll find it out, and be sorry they elected
me.'
'You needn't be afraid of that,' Gillespie answered, smiling, and
filling his pipe. 'You lack the fine quality of a “guid conceit o'
yoursel,” Plantagenet. I've talked a bit with Gillingham now and again,
and I don't think very much of him. _He's_ not troubled that way. He's
got an extraordinary memory, and a still more extraordinary opinion
of his own high merits; but I don't see, bar those two, that there's
anything particularly brilliant or original about him. He's a poet, of
course, and he writes good verses. Every fellow can write good verses
nowadays. The trick's been published. All can raise the flower now, as
Tennyson puts it, for all have got the seed. But, as far as I can judge
Gillingham, his memory's just about the best thing about him. He has a
fine confused lot of undigested historical knowledge packed away in his
head loose; but he hasn't any judgment; and judgment is ability.
The examiners were quite right, my dear fellow; you know less than
Gillingham in a way; but you know it more surely, and you can make
better use of it. His work's showy and flashy; yours is solid and
serviceable.'
Public-domain text, read in full here on John Shaqi.
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