Blue-beard: A Contribution to History and Folk-lore: Being the history of Gilles de Retz of Brittany, France, who was executed at Nantes in 1440 A.D., and who was the original of Blue-beard in the tales of Mother GooseWilson, Thomas
History
Blue-beard: A Contribution to History and Folk-lore: Being the history of Gilles de Retz of Brittany, France, who was executed at Nantes in 1440 A.D., and who was the original of Blue-beard in the tales of Mother Goose
Wilson, Thomas
Bluebeard (Legendary character); Criminals -- France -- Biography; France -- History -- Charles VII, 1422-1461 -- Biography; Marshals -- France -- Biography; Rais, Gilles de, 1404-1440
“We, noble and powerful Baron, Gilles de Retz, Marshal of
France, Lord of Champtocé, Tiffauges, Machecoul, Saint
Étienne-de-Mer-Morte, Pornic, and other places, do by these
presents make known, that by the express permission of the
high and powerful Lord Seignieur, Jean de Malestroit, by the
Grace of God and the Holy Father, the Bishop of Nantes, there
will be given on the 21st day of the present month, at two
o’clock afternoon, at the Place of Notre Dame, a presentation
of a Mystery concerning the life of our Lord and Saviour Jesus
Christ, and of Madam, the Holy Virgin, His Mother.”
When the herald ceased, the soldiers closed up the circle that had
been made around him and prepared to escort him to another place,
while the crowd cried, “Liesse, Liesse, to the Marshal--Liesse to our
Lord Bishop!” The herald and his men-at-arms departed and the crowd
dispersed.
The locality of the presentation of this spectacle adjoined the
cathedral on its right as one stands facing it. This Mystery had but
a single scene, and required but a single stage. This stage, intended
for the use of the actors, was flanked on either side by an alcove or
balcony; that on the left, intended for the high dignitaries of the
Church and the city, the nobles, and other persons of distinction was
decorated with long and heavy curtains of blue velvet bordered with
gold, the upper portion thereof being provided with rings to slide upon
a curtain rod, by which means the occupants of the alcove could be cut
off from the view of the multitude. This balcony bore the arms of the
archbishop and those of the city of Nantes. The balcony on the opposite
side of the alcove was arranged with curtains in the same way, but it
was draped with red velvet decorated with a border of white velvet and
gold braid and tassels. This balcony bore two coats of arms, both
belonging to the Baron de Retz--one was the house of Retz itself, gold
with _croix de sable_; the other, that of Machecoul, _trois chevrons
de gueules sur le champ d’argent_. The stage for the actors formed
the centre of the alcove, but was brought to the front to enable the
populace to see it, and was decorated with red velvet bearing the coat
of arms of the city of Nantes.
As the hour for the spectacle approaches, the crowd gathers in the
place, and soon it is a mass of people, bourgeoisie and peasantry, most
of them wearing the peculiar costumes of the country.
[Illustration: A street in Nantes--Ancient houses.]
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