"I had thought you and Van and I would have a great powwow over the
play this evening, and it's fierce that he had to get back to that
furnace a night like this, but we can limp along on a few ideas without
him, maybe. What do you think of 'The Purple Slipper'?" As he set the
car at an easy pace he turned and looked down at the lovely face so near
his shoulder with a great and extremely boyish enthusiasm, which was
very delightful and very irritating to the Violet.
"What do you think about it? You tell first," she said with a smile that
answered his enthusiasm adequately and which served to cover with
agility the fact that she had not read the play.
"Well, at first it seemed a queer kind of vehicle for you, but as I read
on I could see you queening it in all those furbelows of dress as well
as adventure and sentiment. It's a little serious in situation, but it
is full of comedy adventure in line, and I can just see the audience eat
you up in it. I told Van so, and I bought in before I had read more
than half the second act. I don't feel as though I could wait to see you
in that dinner scene while you hold the enemies of your spouse
confounded. I agree with Van that your emotional qualities may exceed
your comedy."
"Does Van back my emotional acting against my comedy?" the Violet asked,
with barely concealed surprise in her voice.
"He does. He says that 'The Purple Slipper' is going to be the sensation
of Broadway for the early fall, and I agree with him. Do you feel as
sure of it as he says you are?"
"Yes," answered the Violet, and by her assent in premeditated ignorance
of the contents of the play manuscript she put the second cross on the
production which made it a double on the fate of Mr. Dennis Farraday as
a theatrical producer. However, that fact may have been balanced by the
fact that it was the third cross on the fate of Miss Patricia Adair.
Crosses on fates in the world of Broadway go in singles, doubles, and
threes, and no man can tell their exact significance.
"Good!" answered Mr. Dennis Farraday, with another and still broader
smile of gratification and admiration of the Violet as an artist--a
smile which further infuriated, but equally inspired her. "And what a
grand time we'll all have putting it across! I'm going to help Van see
actors for the cast on Friday, and I'm going to sit in on rehearsals
straight through. I'm due a month's vacation, and I'm going to have my
mail from the office relayed back to New York from the yacht off
Nantucket so that bunch of money grubbers can't find me. Think of having
the honor of being co-producer for Violet Hawtry for my first shot!"
All of which enthusiasm and admiration went like wine to the head of the
Violet, though it left her heart uncomfortably cold; and beautiful, cool
moonlight heats the heart of a fair woman when it is not more than two
feet away from that of a brave and fair man.
Public-domain text, read in full here on John Shaqi.
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